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Manufacturers exhibiting at FSI for the first time have often told me that the Montreal-area audiophiles attending the show seem to be an unusually enthusiastic and knowledgeable group. This impression is confirmed by the existence of the Montreal Audiophile Association. The Association—which always has a booth at FSI—is a highly active one, with over 100 members. They meet twice a month (they rent space in a school for this purpose), one meeting devoted to equipment (eg, talks by audio designers) and the other to classical music (eg, comparison of recordings of piano concertos).…
Aside from a few grumbles about the small size of some of the rooms, the 2006 FSI was a resounding success with exhibitors as well as attendees. Show organizer Marie-Christine Prin has managed to maintain the show's appeal to hard-core audiophiles while broadening the show's coverage to include products for the video/MP3/iPod generation. As always, Marie-Christine and her stalwart assistants, Céline Roy, and Diane Hébert, joined for this show by Sarah Bouhali and Elisa Fernandez, ran the show with grace and efficiency. Merci!
The premise is simple: Prepare a history of the world based on events referenced to (or shown) in movies. Man, I had no idea that Bouvet Island, Antarctica was such a happening place. (Alien vs Predator).
When Dorothy Parker left her estate to MLK and the NAACP, she didn't expect one detail to have such long lasting consequences: Appointing Lillian Hellman as executor actually affected her literary reputation. Marion Meade unravels a tangled tale.
Big Rock Candy Mountain has posted two of Owens' best: "Close Up the Honky Tonks" and "Streets of Bakersfield." Listen and remember.
As big as Owens was, I could never understand why he wasn't even bigger—with his tunes and big beat, even the Beatles worshipped him. Why didn't more Americans?
Fused protein/silicon chips may point towards a future where wetware becomes a reality. Forget a he-man rig—I want a hi-fi that's a direct neural implant. Just not the 1.0 version, thank you.
Fractals of Change argues that "stupid" networks (such as the Internet) are better than "smart" ones (networks configured to allow certain machines running specific software to operate in ways their designers have anticipated). Smart networks may be more efficient when accomplishing those goals, but they don't necessarily work better (or even at all) when you try to do stuff the designers haven't anticipated.
And yes, I think the parallels with the MPAA's and RIAA's attempt to "fix" fair use at 1970s levels is a dumb "smart" idea.
Business Week thinks that the competing HD-DVD and Blu-Ray formats might confuse consumers and lead to conflicts between content protection scams, er, schemes.
Wow, who could have ever predicted that?