search
A new Massive Attack album and The Belfast Telegraph breaks the story. "We don't like each other very much. It's always been quite tempestuous for us in the studio—we always seem to lose a member after every album," says Grant Marshall.
The doctor never called back. Maybe tomorrow. Nevertheless, I do feel a bit better. My head still hurts and my throat is still sore, but I've got more energy than I had all week. I picked up the tissues, came to terms with the tea, washed the dishes, and found the energy to set the Moscode aside for now and reinstate the Musical Fidelity A3.5 integrated.
And then I listened to music.
I listened to Tom Waits confess: "I want you, you, you..." over and over again, such a perfectly simple love song, just as love songs should be.
I listened to Ryan Adams teach: "Love…
The big news at this years Festival Son & Image (FSI, aka "The Montreal Show")
was the change in venue. After many years at the Delta Hotel in downtown Montreal, the Show moved this year to another downtown hotel, the Sheraton Montreal.
I have a certain fondness for the Delta, but not for their elevators, which worked according to a mysterious logic of their own. The Sheraton was a considerable improvement in this respect, and seemed generally more upscale—yet the rates for exhibitors were about the same. The rooms at the Sheraton are generally a bit smaller than at the Delta,…
Bang & Olufsen, a company that usually gives audio/home entertainment shows a wide berth, had an extensive display, featuring their futuristic-looking omnidirectional speakers. I enjoyed the sound—maybe because they were playing Frank Sinatra.
Bruce Edgar has been refining his Edgarhorn loudspeakers, available in kit form, for a good number of years now, and I've noticed a steady improvement in the sounds he's been getting at shows. The ones I heard at the Montreal Show were the best-sounding yet.
Dan Wright of ModWright started out modifying CD/SACD players and D/A converters (I still use the ModWright version of the Perpetual Technologies D/A converter), and his success in this area has encouraged him to come out with products of his own. New at the show was the SWLP 9.0SE prototype phono+line stage preamp (about US$4000).
As usual with shows of this type, many of the systems demoed at FSI cost tens of thousands of dollars. However, Angie Lisi of Audiopathic, distributor of some stratospherically-priced equipment, made it a point to assemble a relatively affordable yet highly musical-sounding system, consisting of the Manley Stingray integrated amp ($2250), Totem Rainmaker speakers ($1198/pair), and an Accuphase CD player. Oh, did you want to know the price of the CD player? Umm—$6995. When I pointed out to Angie the incongruousness of having this expensive CD player as part of the system, she replied—…
John Meyer's Newform Research's ribbon/cone hybrids have been around for a while, and, like Bruce Edgar's Edgarhorns, every revision I've heard sounded better than the previous one. The latest R645v3 has undergone some very significant changes: the midbass/bass box is now sealed rather than ported, with additional bracing and damping (Corian top), and the result is much-improved blending with the ribbon and greater transparency throughout the lower midrange. Sold factory direct, $3484 delivered makes the R645v3 an astonishing bargain in today's marketplace. The partnering electronics…
Fidelio Records, based in Montreal, has an impeccable—um—record of producing CDs and SACDs of the highest technical and artistic quality. Their latest SACD of the Nemesis percussion ensemble, played back on Verity Parsifal Ovation speakers ($24,000), with a gaggle of Nagra electronics and Esoteric SACD player, made one of the best sounds I heard at the show. Fidelio recording engineer René Laflamme did a comparison for me of the SACD and the backup analog master (Nagra open-reel), and I have to admit I preferred the clarity of the SACD.
The two most expensive systems at the show, each costing about US$200,000, were the all-McIntosh system, and the system using Pierre Gabriel Grand Master speakers and Jadis electronics/digital source. (Actually, the Pierre Gabriel system was "only" US$180,000, so you can afford a trip to France with what you would save over the McIntosh.) Did they sound impressive? Yes, but, personally, I have trouble relating to any system whose price is so far beyond the reach of ordinary audiophiles. Having said that, it's good to have systems like this at shows, so that people can judge for…