Emotiva XPA Gen3 two-channel power amplifier

Emotiva XPA Gen3 two-channel power amplifier

Jul 20, 2017
Have I told you about my objectivist friend—the left-brain audiophile who puts a lot of trust in measurements? He has a high natural intelligence and is an extremely experienced listener, but once he knows a component doesn't measure well, he can never again experience it impartially.

I don't want to embarrass my friend, so in this story I will call him O., for Mr. Objectivity.

Audeze iSine 20 Planar Magnetic In-Ear Earphone

Audeze iSine 20 Planar Magnetic In-Ear Earphone

Jul 19, 2017
This story originally appeared at InnerFidelity.com

When first I saw the Audeze iSine models I wondered to myself, "What the heck are these for?" and, "Who will want these?" I'd never heard of an open acoustic in-ear before...heck, I'd not even thought of the possibility. Why in the world was Audeze even going down this road? I spent some time on the phone with Sankar Thiagasamudram, founder and CEO of Audeze, to gain some understanding.

Rockport Technologies Avior II loudspeaker

Rockport Technologies Avior II loudspeaker

Jul 18, 2017
Following my review of the floorstanding Magico S5 Mk.II last February, I spent some time with two-way stand-mounted speakers from Aerial Acoustics, Bowers & Wilkins, and Dynaudio. As much as I appreciated the small speakers' virtues, I found myself missing the big Magico's bass extension and ability to play loud; my next loudspeaker review, therefore, would be of another floorstander.

It's been a while since we published a review of a Rockport Technologies loudspeaker.

Gramophone Dreams #17: Abyss AB-1266 Phi headphones

Gramophone Dreams #17: Abyss AB-1266 Phi headphones

Jul 18, 2017
Recently, a friend played me a masterpiece: Ike & Tina Turner's River Deep—Mountain High, arranged by Jack Nitzsche and produced by Phil Spector (LP, A&M SP 4178). It sounded terrible: murky, distant, with badly booming bass. Even before the first track was over, we both laughed and called it a night.

Nevertheless, I went home obsessed with Tina's inspired singing and Spector's infamous Wall of Sound production.

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