In the middle of AXPONA's annual pre-show industry reception, held Thursday evening in the huge Schaumburg Ballroom of the Schaumburg Hotel & Convention Center, Paul Miller (on the right in the photo above), Director of AVTech Media/AVTech Media Americas—which publishes Stereophile, AudioStream, InnerFidelity, AnalogPlanet, Sound & Vision, and the UK's Hi-Fi News & Record Review (amongst other properties)—unexpectedly took to the stage . . .

Last year, American audio shows felled more than ten million 100'-tall trees—just for their ink-on-paper floor plans. They had to reopen two nuclear power plants just to keep the elevators running in Las Vegas. The Chicago River backed up like a toilet—clogged by discarded show guides. This year, all you need is a smart phone, the the AXPONA app—and the stamina to visit almost two hundred rooms filled with some of the world's finest, most exciting, new audio products. Are you ready?

Which loudspeakers do audio professionals listen to? And why should we care? After all, it's not as if recording engineers are the kind of refined, sensitive, music-loving types who read Stereophile. As much as they may love music, many audio pros appear only to view the original sounds of musical instruments as raw materials to be creatively reshaped and manipulated. (Okay, there are exceptions. But recordists who care about the sounds of real instruments usually record them in real acoustic spaces rather than in studios, and use as little signal processing as they can get away with.)