To these ears, the pairing of Vandersteen Quatro loudspeakers ($15,499/pair) and the company’s smaller M5-HPA monoblocks ($15,800/pair) with the Jeff Rowland Corus Stereo preamplifier + PSU ($21,900) and Conductor phonostage ($8500) is a winner.

Who would have expected to hear a theorbo reproduced in 24/192 at an audio demo?

If Scott Walker Audio had staked out a mini-empire on floor 3, Sunny Components of Covina, California, did the same on floor 6. The first room I visited, of the four from Sunil Merchant, included Egglestonworks' 87dB-efficient Nico speakers ($4250/pair), ....

Eye candy, eh? Tune Audio’s Anima 3-way fully horn-loaded loudspeakers ($58,000/pair) claim 109dB sensitive. THEY certainly were drawing in listeners, to the extent that I had to visit twice before I could get into the room then slowly inch my way closer to the sweet spot.

On an electric guitar track, the name of which I failed to get, the Legacy Audio Calibre Monitor ($5500/pair) got down, dark, and dirty in a good way while fighting one of the most wicked upper bass room resonances known to humankind.

From the metaphoric opening bell on, the Marketplace was filled with music lovers hunting for analog and digital media as well as audio products. This photo, taken at 10:30 AM on Saturday, attests to the draw. Note MA Recordings’ Todd Garfinkle on the left, hawking his superbly recorded wares, some of which are available on vinyl or for download in hi-rez.

By the time I reached the smallest of the three large rooms I dared visit on the 2nd floor, I was hip to the havoc their porous air walls were wreaking on the sound. So, when the combined output of four familiar components—YG Hailey 2.2 Speakers ($47,900/pair), Audio Research Ref 10 Line Stage ($33,000), MSB Select II DAC ($105,000 as shown), and Kubala-Sosna Realization / Sensation cabling—was over-saturating the space and spreading like crazy, I decided emergency intervention was called for. I asked, “Could you please turn it down?”

Having had components from Wilson, D’Agostino, Aqua, IsoTek, and Kubala-Sosna in my reference system, I have a good sense of their strengths.

I visited three large rooms on the second floor, and of which suffered from the same serious problem: soft convention-type moveable air walls whose porous surfaces and interior reek havoc with soundwaves and let sound bleed between rooms.

Dragon, Commander, Innamorata . . . did you ever get the feeling that Jeff Wells wants you to know that Wells Audio means business?

Not that you needed to heed the names: The sound was sufficient to let show attendees know that, as with the Esoteric/Von Schweikert system I had just heard, this system excelled in healthy, alive sound that included a fine midrange and a lively shine to the sound. I really enjoyed the sound on a track from JT Coldfire, and sat amazed that an exhibitor not only loved but also chose to play, of his own volition, Luciano Pavarotti's "Una furtiva lagrima."