In celebration of their first 10 years in business, Volti Audio unveiled a newly redesigned version of their Rival SE (Special Edition) speaker ($19,900/pair), seen here in an eye-catchingly exotic bubinga wood veneer (a rosewood option is also available). Although its side-curved form appears quite substantial, the horn-loaded hybrid floorstander can be sonically suitable for larger or smaller spaces. With its horn drivers and a sensitivity spec of 100dB, the Rival SE also makes for an easy to load-perfect for the 300B-powered BorderPatrol P20 EXD amplifier. The three-way Volti also features matching external crossovers that are user-adjustable, and Triode Wire Labs internal wiring.

Suncoast Audio presented Fyne Audio F702 speakers ($8995/pair) in their US debut. Handmade in Scotland, the two-and-a-half-way floorstander features a concentric point-source tweeter/midrange array with a titanium center that seemed almost hornlike in its appearance and delivery.

When I heard the Stenheim Alumine 3 at AXPONA last year, I frankly wasn't impressed. The tweeter seemed a little hot, the character a little buzzy. I learned just this morning that Jean-Pascal Panchard, Stenheim's CEO and designer, wasn't happy with them, either. He didn't think they were ready, but they had committed to presenting them at AXPONA, so he kept his commitment. They only produced three pair in that configuration. After that show, changes were made.

Wynn Audio of Toronto presented a lovely demo with a couple of new products: the Swiss-made EMT STX 5/10 step-up transformer ($9280), which employs a toroidal transformer with pure silver wiring to provide output options for 14dB or 20dB of gain with a lower noise floor for higher resolution, and the Métronome DSS Streamer (DSS stands for Digital Sharing Streamer), which was released in January but seen for the first time here in the U.S.

Known primarily for its sharp-looking tube amplification ranges, Raven Audio of Texas has been busy cranking out a plethora of new products, including some entirely new categories for the company: the debut of two loudspeakers (with the same high efficiency, spec'd at 94dB) and a line of cables. Raven presented two active demos: a reference system and a more affordable setup featuring the maker's latest offerings.

This was a surprise.

When I walked in to this room and saw these skinny towers, I didn't expect much. When I saw that they were wireless, I expected even less. But the Piega 701s made some very fine sounds, with good bass, tweeters that didn't draw attention to themselves, and a stereo image that didn't collapse when I moved off-center.

It's not every day that you encounter a high-end loudspeaker that the end user actually assembles. Pure Audio Project has taken this unorthodox approach in introducing its brand-new Quintet10 Horn2 speaker at the Florida show . . .

I'm surprised how many principals and designers are at this show, as opposed to local dealers and distributors—although perhaps I shouldn't be, considering that it's February and this is Florida.

In the Cardas/Joseph/Doshi room, I found both Jeff Joseph and Nick Doshi. I also found very good sound, produced by Jeff Joseph's Perspective 2 Graphene loudspeakers ($15,000/pair), which John Atkinson reviewed in the July 2018 issue of Stereophile. I won't comment on the speakers except to say that they sounded great; I'll just refer readers to JA's review.

A visit to the MSB Technology room yielded a formidable debut, the company's new S500 stereo amplifier, which delivers 500W of power with apparent ease and efficiency, demonstrated with the mighty Magico M2 loudspeaker ($63,600/pair with required MPod bases), which was featured in the February 2020 Stereophile.

The Audio Company of Marietta, Georgia, has two rooms at the Florida Audio Expo, both featuring Acora Acoustics loudspeakers.