Jim Campilongo: Telecaster Master & Audio Enthusiast
May 08, 2020
In a 2014 profile in the New Yorker, Paul Elie, author of the book Reinventing Bach, wrote, "There it was again: the stinging treble, the spooky overtones, the strings snapping and booming under his handsthe sound of a Tele being played as skillfully and exuberantly as it can be played."
One of the joys of reviewing audio reproduction equipment is discovering a little-known product that provides an extraordinary level of performance and musical satisfaction at an affordable price. These components, sometimes made in a garage, reflect the designer's single-minded zeal for musical accuracy, not the sometime corporate mentality of meeting a price point or catering to the latest fad.
Classé Audio's DR-3 once again brings to the fore the issues of class-A vs class-AB, weighty vs small and efficient, and brute-force expensive vs clever and inexpensive.
A well-worn, if unproven, audiophile rule of thumb says that a small, quick amplifier will sound better than a very powerful one. Among low-powered amps, those that operate in "pure" class-A are thought to be sonically superior. Pure class-A means the amplifier must run a constant high bias (more than one ampere), so the output devices never turn off.
Streaming Salvation for the Sequestered--UPDATED 5/5!
May 05, 2020First Published:Mar 25, 2020
Specific Live Streams (Scroll down for ongoing series):
Thursday, May 7 10pm EDT: The Noe Music Listening Club features composer Jake Heggie discussing and performing his music and that of his music heroes. Sign up here.
May 6 Saariaho’s L’Amour de Loin
May 7 Strauss’s Capriccio
May 8 Puccini’s La Bohème
May 9 The Opera House
May 10 Mascagni’s Cavalleria Rusticana / Leoncavallo’s Pagliacci.
AXPONA Canceled; No Refunds for Exhibitors - UPDATED
May 05, 2020First Published:Apr 30, 2020
Editor's note: On May 5 around 2:40pm, JD Events sent a letter to 2020 AXPONA exhibitors and sponsors outlining a plan to apply 100% of 2020 exhibitor payments to future shows, with 50% credited to the 2021 show and 25% to each of the two subsequent shows.
See below for the original story published 30 April.