"Tonearm?" muttered John Crabbe, my erstwhile editor at <I>Hi-Fi News & Record Review</I>, as he bent over my shoulder some 12 years ago to see what I was writing about. "A <I>tone</I>arm belongs on an acoustic gramophone—you should use the term 'pickup arm,' which doesn't suggest that the arm has a sound of its own."
"Tonearm?" muttered John Crabbe, my erstwhile editor at <I>Hi-Fi News & Record Review</I>, as he bent over my shoulder some 12 years ago to see what I was writing about. "A <I>tone</I>arm belongs on an acoustic gramophone—you should use the term 'pickup arm,' which doesn't suggest that the arm has a sound of its own."
"Tonearm?" muttered John Crabbe, my erstwhile editor at <I>Hi-Fi News & Record Review</I>, as he bent over my shoulder some 12 years ago to see what I was writing about. "A <I>tone</I>arm belongs on an acoustic gramophone—you should use the term 'pickup arm,' which doesn't suggest that the arm has a sound of its own."
"Tonearm?" muttered John Crabbe, my erstwhile editor at <I>Hi-Fi News & Record Review</I>, as he bent over my shoulder some 12 years ago to see what I was writing about. "A <I>tone</I>arm belongs on an acoustic gramophone—you should use the term 'pickup arm,' which doesn't suggest that the arm has a sound of its own."
"Tonearm?" muttered John Crabbe, my erstwhile editor at <I>Hi-Fi News & Record Review</I>, as he bent over my shoulder some 12 years ago to see what I was writing about. "A <I>tone</I>arm belongs on an acoustic gramophone—you should use the term 'pickup arm,' which doesn't suggest that the arm has a sound of its own."
"Tonearm?" muttered John Crabbe, my erstwhile editor at <I>Hi-Fi News & Record Review</I>, as he bent over my shoulder some 12 years ago to see what I was writing about. "A <I>tone</I>arm belongs on an acoustic gramophone—you should use the term 'pickup arm,' which doesn't suggest that the arm has a sound of its own."
Eighty thousand pairs. According to Vandersteen Audio, that's the number of Vandersteen 2s of various generations which have been sold since the loudspeaker—and company—first saw the light of day in 1977. The 2 has been continually refined along the way—a new driver here, a new crossover change there, heavy-duty stands—more changes, in fact, than the occasional changes in model designation would indicate. The 2's main calling card has always been a high perceived value for money. If anything, this calling card has only been enhanced over the years as its price remained remarkably stable while the cost of high-end audio in general was perceived—rightly or wrongly—as being on a dizzying upward spiral.
Eighty thousand pairs. According to Vandersteen Audio, that's the number of Vandersteen 2s of various generations which have been sold since the loudspeaker—and company—first saw the light of day in 1977. The 2 has been continually refined along the way—a new driver here, a new crossover change there, heavy-duty stands—more changes, in fact, than the occasional changes in model designation would indicate. The 2's main calling card has always been a high perceived value for money. If anything, this calling card has only been enhanced over the years as its price remained remarkably stable while the cost of high-end audio in general was perceived—rightly or wrongly—as being on a dizzying upward spiral.
Eighty thousand pairs. According to Vandersteen Audio, that's the number of Vandersteen 2s of various generations which have been sold since the loudspeaker—and company—first saw the light of day in 1977. The 2 has been continually refined along the way—a new driver here, a new crossover change there, heavy-duty stands—more changes, in fact, than the occasional changes in model designation would indicate. The 2's main calling card has always been a high perceived value for money. If anything, this calling card has only been enhanced over the years as its price remained remarkably stable while the cost of high-end audio in general was perceived—rightly or wrongly—as being on a dizzying upward spiral.
Eighty thousand pairs. According to Vandersteen Audio, that's the number of Vandersteen 2s of various generations which have been sold since the loudspeaker—and company—first saw the light of day in 1977. The 2 has been continually refined along the way—a new driver here, a new crossover change there, heavy-duty stands—more changes, in fact, than the occasional changes in model designation would indicate. The 2's main calling card has always been a high perceived value for money. If anything, this calling card has only been enhanced over the years as its price remained remarkably stable while the cost of high-end audio in general was perceived—rightly or wrongly—as being on a dizzying upward spiral.