Back in my bass-player days in the 1970s, I used to do a regular cabaret gig, providing musical support for sundry British stand-up comic acts. I flashed back on those days when I recently watched <I>Fierce Creatures</I>, the John Cleese/Jamie Lee Curtis/Kevin Kline/Michael Palin vehicle, on satellite. There, playing the part of a zookeeper, was pint-size comedian Ronnie Corbett, whom I backed a few times. (He always bought the band a bottle of Scotch&mdash;you remember stuff like that!) Ronnie used to open his act with the old "They said Thomas Edison was crazy...they said Henry Ford was crazy...they said Albert Einstein was crazy..." gag, which ends with "They said my Uncle Charlie was crazy...actually, my Uncle Charlie <I>was</I> crazy!"

Back in my bass-player days in the 1970s, I used to do a regular cabaret gig, providing musical support for sundry British stand-up comic acts. I flashed back on those days when I recently watched <I>Fierce Creatures</I>, the John Cleese/Jamie Lee Curtis/Kevin Kline/Michael Palin vehicle, on satellite. There, playing the part of a zookeeper, was pint-size comedian Ronnie Corbett, whom I backed a few times. (He always bought the band a bottle of Scotch&mdash;you remember stuff like that!) Ronnie used to open his act with the old "They said Thomas Edison was crazy...they said Henry Ford was crazy...they said Albert Einstein was crazy..." gag, which ends with "They said my Uncle Charlie was crazy...actually, my Uncle Charlie <I>was</I> crazy!"

My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home <I>exactly</I> the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.

My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home <I>exactly</I> the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.

My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home <I>exactly</I> the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.

My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home <I>exactly</I> the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.

My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home <I>exactly</I> the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.

My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home <I>exactly</I> the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.

<B>OLU DARA: <I>In the World, from Natchez to New York</I></B><BR> Atlantic 83077-2 (CD). 1998. Yves Beauvais, Olu Dara, prods.; Danny Kopelson, eng. Tom Schick, asst. eng. AAD? TT: 47:03<BR> Performance <B>****</B><BR> Sonics <B>****</B><I>(But see final paragraph.)</I>