Records To Live For! In an ordinary year, the name of this annual feature, published every February since 1991, is a harmless, even amusing joke. In last year's opening essay, I evoked a heavily armed intruder perusing your record collection late at night and holding your favorite record in his hands: Would you risk your life by confronting him? That's hardly the first time that an author of the R2D4 lead essay made a joke about possibly dying.

For jazz fans, a new batch of releases in Blue Note's Tone Poet series—vinyl reissues remastered with care and cut from the original analog tapes—is reason for celebration. Fortunately, the batches come frequently. The latest releases, as I write in late October 2020, are very solid, musically and sonically.

Coincident stereo miking (footnote 1) has two advantages and one disadvantage. Its advantages are that it gives the most stable, specific imaging of any mike technique, and its outputs can be summed for mono reproduction without loss of quality. Its disadvantage is that, in most of its configurations, it tends to produce an overly narrow, shallow soundstage.

I remember when I first heard that David Bowie had died. I was half-listening to the radio as I prepared for work. I was stunned. I just looked at my partner. To my surprise, a tear ran down my cheek. I had always been rather sniffy about people who got emotional when famous people died, people they had never met, who had never heard of them, who had lived lives of wealth.