I feel compelled to repeat here an eerie occurrence I related a while back on AnalogPlanet. I reviewed, in the February 1999 Analog Corner column, the Cartridge Man's Digital Stylus Force Gauge, which back then sold for $299.

I still have it, but a decade ago, the battery stopped taking a charge. I put it aside, planning to replace the battery someday.

Newvelle Records Season Five
Pablo Ablanedo, Dave Douglas, Sullivan Fortner, Elan Mehler, OWL Trio, Rufus Reid, Carmen Staaf, Patrick Zimmierli
Newvelle Records NV025–30 (6 LP) 2020. Reviewed from 16/44.1 AIFF files. Elan Mehler, prod.; Marc Urselli, eng.
Performance ****
Sonics ****½

If Newvelle Records is any indication, jazz's future looks bright. Since 2015, the New York label has produced four series of artist-curated, all-analog, subscription-only box sets of vinyl records with superb fidelity and top-tier musicians performing original material. Highlights included pianist (!) Jack DeJohnette's Return, guitarist Gilad Hekselman's Eyes of the World, bassist John Patitucci's Irmãos de Fé, tenor saxophonist Noah Preminger's Preminger Plays Preminger, and guitarist Lionel Loueke's Close Your Eyes.

In my As We See It column in the January 2021 Stereophile, I wrote about stories we tell ourselves to make our lives and music better—personal stories like the one about my relationship to my Thorens TD-124 turntable, or about hanging out with your dad (or mom) listening to records. Also hi-fi stories like the ones about the types of audio components we prefer—analog, digital, tubed, solid state—and how they sound. "Stories deepen our relationships," I wrote, "including our relationships with our audio systems and the music they make."