Sometimes you have to sweat the details, sometimes they just fall in your lap. Take Victor Tiscareno. Victor's company, AudioPrism, has been making electronics, accessories, and power-conditioning products for quite some time. While he was visiting and installing a pair of his Mana Reference tube amplifiers for an upcoming review, Victor and I got to talking about power---the kind that comes out of the wall. Victor studied electrical engineering and is very au courant in such matters. During these ruminations he shared with me a recipe for what he calls The Poor Man's Dedicated Line.

Sometimes you have to sweat the details, sometimes they just fall in your lap. Take Victor Tiscareno. Victor's company, AudioPrism, has been making electronics, accessories, and power-conditioning products for quite some time. While he was visiting and installing a pair of his Mana Reference tube amplifiers for an upcoming review, Victor and I got to talking about power---the kind that comes out of the wall. Victor studied electrical engineering and is very au courant in such matters. During these ruminations he shared with me a recipe for what he calls The Poor Man's Dedicated Line.

Following the Sony/Philips jump from the starting line with Wednesday's <A HREF="http://www.stereophile.com/news/10445/">SACD announcements</A>, the DVD-Audio camp quickly came up to speed at the HI-FI '99 press luncheon with their plans for players and discs to appear this fall. First up at the podium was Jordan Rost from the Warner Music Group. Contrasts with the SACD position were established from the start when Rost made it obvious that, unlike SACD, DVD-Audio seeks to embrace not only high-end audio, but also various forms of video, and even Internet interactivity. Rost even went so far as to say that DVD-Audio discs could "play on CD players if a hybrid disc is feasible and desired," thus possibly deflating Sony's insistence that backward-compatibility is what sets SACD apart.

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>

<I>Who knows not Circe,<BR>The daughter of the Sun, whose charmed cup<BR>Whoever tasted, lost his upright shape,<BR>And downward fell into a groveling swine?</I><BR>&mdash;John Milton, <I>Comus</I>