In his <A HREF="http://www.stereophile.com//thefifthelement/358/">The Fifth Element #2</A>, John Marks discusses in detail how to use common household items to render some audiophile magic. Marks explains, Aall you need is a very long piece of string, a tape measure, two bits of masking tape, a quantity of small self-adhesive removable note papers, and later, perhaps, a trip to the fabric store."

Which has more value in the 21st century: the constitutionally-guaranteed right to free speech or the music industry's right to protect its encryption technology? Princeton University professor Edward W. Felten intends to find out.

When is a music sample not a sample but an actual product? Are those 30-second audio snippets used at online music-retailer websites and in stores considered samples and therefore covered under fair use copyright laws? These are some of the questions that the <A HREF="http://www.narm.com/">National Association of Recording Merchandisers</A> are asking the copyright office as another battle heats up between the record labels (represented by the Recording Industry Association of America (RIAA)) and the music retailers (represented by NARM).

With the proliferation of audio and video formats based on the 5.25" disc (CD, DVD-Audio, SACD, CD-R, CD-V, DVD, <I>etc</I>), buying a universal player that can decode anything thrown at it is many a consumer's Holy Grail. But to date, the vast majority of manufacturers (Pioneer being a notable exception) have been taking sides, choosing to exclude either SACD or DVD-Audio playback from their machines.

Music industry attorneys may not enjoy much of a summer vacation. The season got off to a litigious start with a flurry of lawsuits by and against record labels and music-based websites.

From the vantage point of a devout music lover, two-channel audio is more satisfying and more inclusive than ever these days. In terms of resolution, clarity, linearity, transparency, soundstaging, frequency extension, and sheer performance value, aspiring audiophiles have never had it so good.

From the vantage point of a devout music lover, two-channel audio is more satisfying and more inclusive than ever these days. In terms of resolution, clarity, linearity, transparency, soundstaging, frequency extension, and sheer performance value, aspiring audiophiles have never had it so good.

From the vantage point of a devout music lover, two-channel audio is more satisfying and more inclusive than ever these days. In terms of resolution, clarity, linearity, transparency, soundstaging, frequency extension, and sheer performance value, aspiring audiophiles have never had it so good.

From the vantage point of a devout music lover, two-channel audio is more satisfying and more inclusive than ever these days. In terms of resolution, clarity, linearity, transparency, soundstaging, frequency extension, and sheer performance value, aspiring audiophiles have never had it so good.

From the vantage point of a devout music lover, two-channel audio is more satisfying and more inclusive than ever these days. In terms of resolution, clarity, linearity, transparency, soundstaging, frequency extension, and sheer performance value, aspiring audiophiles have never had it so good.