In the wake of last week's disasters in New York, Washington, DC, and Pittsburgh, <A HREF="http://www.audioasylum.com">Audio Asylum</A> and <A HREF="http://www.audiogon.com">Audiogon</A&gt; have banded together to co-sponsor a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities.

Citing increasing competition from stronger companies and online music ventures about to debut from major record labels, an investment group has taken the drastic step of calling for the sale of <A HREF="http://www.liquidaudio.com">Liquid Audio</A>.

The number of two-channel Super Audio Compact Discs seems to grow by the week. There are now several hundred titles to choose from&mdash;and hundreds on the way, with the recent endorsement of the format by major record labels. Even so, there are still very few SACDs that exploit the multichannel capabilities of Direct Stream Digital.

As a result of the terrorist attacks last week, the Audio Engineering Society (AES) has decided to postpone its AES 111th Convention until November 30. The annual audio event, which was to have been held this week in Manhattan at the Jacob Javits Convention Center, will now be held Friday, November 30&ndash;Monday, December 3, 2001. The AES says that the convention will use the same exhibit, demo, and conference space as would have been used next week.

<B><I>AVALON BLUES: A Tribute to the Music of Mississippi John Hurt</I></B><BR> Dave Alvin, Beck, Peter Case, Bruce Cockburn, Justin Earle, Steve Earle, Richard Greene, Ben Harper, Alvin Youngblood Hart, John Hiatt, Taj Mahal, Bill Morrissey, Clare Muldaur, Geoff Muldaur, Jenni Muldaur, David Rawlings, Mark Selby, Chris Smither, Gillian Welch, Lucinda Williams, Victoria Williams<BR> Vanguard 79582-2 (CD). 2001. Peter Case, prod.; Francisco Lugo, Dawn Hopkins, Ray Kennedy, Mark Raines, Mark Wilkins, Jeff Landrock, Matt Andrews, David Rawlings, engs. AAD.? TT: 51:29<BR> Performance <B>****</B><BR> Sonics <B>***?</B>

Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it <I>always</I> be done the way it's always been done?

Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it <I>always</I> be done the way it's always been done?

Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it <I>always</I> be done the way it's always been done?

Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it <I>always</I> be done the way it's always been done?

Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it <I>always</I> be done the way it's always been done?