The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.
The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.
The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.
The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.
The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.