Musical Fidelity CD-Pre24 CD player-preamplifier Measurements

Musical Fidelity CD-Pre24 CD player-preamplifier Measurements

How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre<SUP>24</SUP> preamplifier, with the unit's <I>digital</I> output feeding the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis Masterlink</A> hard-drive-based digital recorder, and being able to monitor the <I>digital</I> loop through the preamp once again in the analog domain.

Musical Fidelity
Kevro International
902 McKay Rd., Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Musical Fidelity CD-Pre24 CD player-preamplifier Associated Equipment

Musical Fidelity CD-Pre24 CD player-preamplifier Associated Equipment

How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre<SUP>24</SUP> preamplifier, with the unit's <I>digital</I> output feeding the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis Masterlink</A> hard-drive-based digital recorder, and being able to monitor the <I>digital</I> loop through the preamp once again in the analog domain.

Musical Fidelity
Kevro International
902 McKay Rd., Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Musical Fidelity CD-Pre24 CD player-preamplifier Specifications

Musical Fidelity CD-Pre24 CD player-preamplifier Specifications

How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre<SUP>24</SUP> preamplifier, with the unit's <I>digital</I> output feeding the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis Masterlink</A> hard-drive-based digital recorder, and being able to monitor the <I>digital</I> loop through the preamp once again in the analog domain.

Musical Fidelity
Kevro International
902 McKay Rd., Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Musical Fidelity CD-Pre24 CD player-preamplifier Page 3

Musical Fidelity CD-Pre24 CD player-preamplifier Page 3

How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre<SUP>24</SUP> preamplifier, with the unit's <I>digital</I> output feeding the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis Masterlink</A> hard-drive-based digital recorder, and being able to monitor the <I>digital</I> loop through the preamp once again in the analog domain.

Musical Fidelity
Kevro International
902 McKay Rd., Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Musical Fidelity CD-Pre24 CD player-preamplifier Page 2

Musical Fidelity CD-Pre24 CD player-preamplifier Page 2

How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre<SUP>24</SUP> preamplifier, with the unit's <I>digital</I> output feeding the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis Masterlink</A> hard-drive-based digital recorder, and being able to monitor the <I>digital</I> loop through the preamp once again in the analog domain.

Musical Fidelity
Kevro International
902 McKay Rd., Suite 4
Pickering, Ontario L1W 3X8, Canada
(905) 428-2800
www.kevro.com

Musical Fidelity CD-Pre24 CD player-preamplifier

Musical Fidelity CD-Pre24 CD player-preamplifier

How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre<SUP>24</SUP> preamplifier, with the unit's <I>digital</I> output feeding the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis Masterlink</A> hard-drive-based digital recorder, and being able to monitor the <I>digital</I> loop through the preamp once again in the analog domain.

Dunlavy Closes Doors

Dunlavy Closes Doors

Earlier this month, an unambiguous and simple message went up on the Dunlavy Audio Labs <A HREF="http://www.dunlavyaudio.com/">web site</A>: "As of November 7, 2002, Dunlavy Audio Labs, LLC has ceased operations." A phone call to the company confirms that it is indeed out of business, although Dunlavy president Keny Whitright did not return calls seeking comment.

DSD in the Studio

DSD in the Studio

At present, the recording industry is based on a variety of analog and PCM digital audio formats, putting proponents of Super Audio Compact Disc (SACD, which is based on the Direct Stream Digital, or DSD, format) in a tough place when it comes to creating pure DSD works for showing off the format. To date, labels have had a limited number of options for creating, mixing, and mastering pure DSD projects.

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