Not for nothing did I name the Kharma-Lamm room at Home Entertainment 2002 the "Best Sound in Show." Show attendees slotted it 17th best [<I>see September 2002, p.59&mdash;Ed.</I>], behind other rooms to which I also gave high marks&mdash;mostly larger rooms featuring far bigger loudspeakers&mdash;but to me, the sound emanating from the Kharma Ceramique 3.2 ($19,000/pair), driven by Lamm electronics, possessed a sublime balance of sonic qualities heard in few other rooms.

Not for nothing did I name the Kharma-Lamm room at Home Entertainment 2002 the "Best Sound in Show." Show attendees slotted it 17th best [<I>see September 2002, p.59&mdash;Ed.</I>], behind other rooms to which I also gave high marks&mdash;mostly larger rooms featuring far bigger loudspeakers&mdash;but to me, the sound emanating from the Kharma Ceramique 3.2 ($19,000/pair), driven by Lamm electronics, possessed a sublime balance of sonic qualities heard in few other rooms.

Not for nothing did I name the Kharma-Lamm room at Home Entertainment 2002 the "Best Sound in Show." Show attendees slotted it 17th best [<I>see September 2002, p.59&mdash;Ed.</I>], behind other rooms to which I also gave high marks&mdash;mostly larger rooms featuring far bigger loudspeakers&mdash;but to me, the sound emanating from the Kharma Ceramique 3.2 ($19,000/pair), driven by Lamm electronics, possessed a sublime balance of sonic qualities heard in few other rooms.

Not for nothing did I name the Kharma-Lamm room at Home Entertainment 2002 the "Best Sound in Show." Show attendees slotted it 17th best [<I>see September 2002, p.59&mdash;Ed.</I>], behind other rooms to which I also gave high marks&mdash;mostly larger rooms featuring far bigger loudspeakers&mdash;but to me, the sound emanating from the Kharma Ceramique 3.2 ($19,000/pair), driven by Lamm electronics, possessed a sublime balance of sonic qualities heard in few other rooms.

Not for nothing did I name the Kharma-Lamm room at Home Entertainment 2002 the "Best Sound in Show." Show attendees slotted it 17th best [<I>see September 2002, p.59&mdash;Ed.</I>], behind other rooms to which I also gave high marks&mdash;mostly larger rooms featuring far bigger loudspeakers&mdash;but to me, the sound emanating from the Kharma Ceramique 3.2 ($19,000/pair), driven by Lamm electronics, possessed a sublime balance of sonic qualities heard in few other rooms.

Robert Deutsch tackles the <A HREF="http://www.stereophile.com//amplificationreviews/749/">Balanced Audio Technology VK-40 preamplifier</A>, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."

Quad's David Patching was all smiles as he showed off the company's new CD player, called simply the CD-P. No SACD or DVD-A, said Patching, who says they'll wait until either a ton of high-rez discs are sold (not just produced) or until the format war is over and a clear winner emerges.

Back to the Alexis Park for a press conference with Classic Records, which has decided to release its first DVD-Audio disc around February 15. Classic was one of the very first labels to take advantage of the original DVD specification's ability to hold a 24/96 two-channel audio track, and it started releasing DAD discs exactly five years ago. The company's first DVD-A release will be the Vanguard title <I>Songs of the Auvergne</I>, which will feature a 24/192 two-channel DVD-A track and 24/96 two-channel DVD-V track.

The Consumer Electronics Show (CES) officially opened today and we spent our time at the Alexis Park noticing even more exhibitors than last year. On hand were plenty of new products, companies, and high-rez software demos. Multichannel demos were in heard in several rooms&mdash;all to good effect.