My friend <A HREF="http://www.stereophile.com/showarchives.cgi?409">Harvey Rosenberg</A>, who had more clever ideas in a day than most of us have in a lifetime, was a Tannoy loudspeaker enthusiast. I, on the other hand, had little experience with the brand before 1995, when Harvey invited me to come over and hear his then-new Tannoy Westminster Royals.

My friend <A HREF="http://www.stereophile.com/showarchives.cgi?409">Harvey Rosenberg</A>, who had more clever ideas in a day than most of us have in a lifetime, was a Tannoy loudspeaker enthusiast. I, on the other hand, had little experience with the brand before 1995, when Harvey invited me to come over and hear his then-new Tannoy Westminster Royals.

My friend <A HREF="http://www.stereophile.com/showarchives.cgi?409">Harvey Rosenberg</A>, who had more clever ideas in a day than most of us have in a lifetime, was a Tannoy loudspeaker enthusiast. I, on the other hand, had little experience with the brand before 1995, when Harvey invited me to come over and hear his then-new Tannoy Westminster Royals.

The talented loudspeaker engineer is a man who is always in competition with himself. When PSB's Paul Barton put the finishing touches on his Stratus Gold model back in 1990 (footnote 1), I'm sure he had more ideas in mind that he could have used in a flagship design. Yet the Gold offered so much performance at such a competitive price&mdash;$2000/pair in 1991, rising to $2100/pair by 1997, then $2400/pair for the the Gold <I>i</I>, an evolutionary development&mdash;that it was not surprising that Barton applied his talents to developing ranges of more affordable speakers, such as the best-selling <A HREF="http://www.stereophile.com/showarchives.cgi?580">Alpha</A&gt; and <A HREF="http://www.stereophile.com/showarchives.cgi?330">Image</A&gt; series.

The talented loudspeaker engineer is a man who is always in competition with himself. When PSB's Paul Barton put the finishing touches on his Stratus Gold model back in 1990 (footnote 1), I'm sure he had more ideas in mind that he could have used in a flagship design. Yet the Gold offered so much performance at such a competitive price&mdash;$2000/pair in 1991, rising to $2100/pair by 1997, then $2400/pair for the the Gold <I>i</I>, an evolutionary development&mdash;that it was not surprising that Barton applied his talents to developing ranges of more affordable speakers, such as the best-selling <A HREF="http://www.stereophile.com/showarchives.cgi?580">Alpha</A&gt; and <A HREF="http://www.stereophile.com/showarchives.cgi?330">Image</A&gt; series.

The talented loudspeaker engineer is a man who is always in competition with himself. When PSB's Paul Barton put the finishing touches on his Stratus Gold model back in 1990 (footnote 1), I'm sure he had more ideas in mind that he could have used in a flagship design. Yet the Gold offered so much performance at such a competitive price&mdash;$2000/pair in 1991, rising to $2100/pair by 1997, then $2400/pair for the the Gold <I>i</I>, an evolutionary development&mdash;that it was not surprising that Barton applied his talents to developing ranges of more affordable speakers, such as the best-selling <A HREF="http://www.stereophile.com/showarchives.cgi?580">Alpha</A&gt; and <A HREF="http://www.stereophile.com/showarchives.cgi?330">Image</A&gt; series.

The talented loudspeaker engineer is a man who is always in competition with himself. When PSB's Paul Barton put the finishing touches on his Stratus Gold model back in 1990 (footnote 1), I'm sure he had more ideas in mind that he could have used in a flagship design. Yet the Gold offered so much performance at such a competitive price&mdash;$2000/pair in 1991, rising to $2100/pair by 1997, then $2400/pair for the the Gold <I>i</I>, an evolutionary development&mdash;that it was not surprising that Barton applied his talents to developing ranges of more affordable speakers, such as the best-selling <A HREF="http://www.stereophile.com/showarchives.cgi?580">Alpha</A&gt; and <A HREF="http://www.stereophile.com/showarchives.cgi?330">Image</A&gt; series.

The talented loudspeaker engineer is a man who is always in competition with himself. When PSB's Paul Barton put the finishing touches on his Stratus Gold model back in 1990 (footnote 1), I'm sure he had more ideas in mind that he could have used in a flagship design. Yet the Gold offered so much performance at such a competitive price&mdash;$2000/pair in 1991, rising to $2100/pair by 1997, then $2400/pair for the the Gold <I>i</I>, an evolutionary development&mdash;that it was not surprising that Barton applied his talents to developing ranges of more affordable speakers, such as the best-selling <A HREF="http://www.stereophile.com/showarchives.cgi?580">Alpha</A&gt; and <A HREF="http://www.stereophile.com/showarchives.cgi?330">Image</A&gt; series.

Sony Music Entertainment and Bertelsmann Music Group could soon be one.