John Atkinson's track-by-track written evaluation in the July 2003 issue of his new <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Editor's Choice: Sampler & Test CD</I></A> (Stereophile STPH016-2) drew me like a magnet. Here was a reviewer-editor putting into words his musical perceptions, gathered while he served as the engineer for the various recordings sampled on this compilation. JA's dual roles of writer and engineer merge complementary perspectives, yielding what should be useful descriptions of the sonic values of some of my favorite reference CDs. As I was about to start my review of Piega's new hybrid loudspeaker when I read this article, it was only natural to test whether this Swiss full-range speaker could deliver "what you should hear."

Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.

Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.

Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.

Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.

Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.

Primedia has announced <I>The Connected Guide To The Digital Home</I>, the first consumer magazine dedicated entirely to adopting and integrating audio, video, information, telecommunications, security, and other personal and home technologies. Formerly known as <I>Audio Video Interiors</I> (<I>AVI</I>), the standard-bearer for the home theater revolution, <I>The Connected Guide To The Digital Home</I> is being introduced as the natural evolution of <I>AVI</I>.

Sam Tellig and Lonnie Brownell both provide trenchant analyses of the <A HREF="http://www.stereophile.com/amplificationreviews/597bryston">Bryston B-60R integrated amplifier</A>. Tellig notes, "With Bryston gear, you get solid engineering and impeccable&mdash;I was going to say unimpeachable&mdash;build quality. This is what you pay for; not bulletproof faceplates, gold-plated name badges, or the like."

<B>TOM HARRELL: <I>Wise Children</I></B><BR>
Tom Harrell, trumpet, flugelhorn, balafon; Jimmy Greene, tenor sax, flute; Xavier Davis, piano, Fender Rhodes, clavinet, kalimba, organ, synth bass; Ugonna Okegwo, acoustic bass, electric bass; Quincy Davis, drums<BR>
With: Cenovia Cummins, Antoine Silverman, violin; Juliet Haffner, viola; Daniel Miller, Jeffrey Szabo, cello; Mondre Moffett, Kamau Adilifu, trumpet; Luis Bonilla, trombone; Douglas Purviance, bass trombone; John Clark, Vincent Chancey, French horn; Howard Johnson, tuba; Myron Walden, alto sax; David Schumacher, baritone sax; Gil Goldstein, accordion; Marvin Sewell, electric guitar; Marcel Carmago, acoustic guitar; Reuben Rodgers, fretless bass; Milton Cardona, congas; Joe Gonzalez, bongos; Caf&#233;, congas, berimbau, balafon, oudu, tambourine, percussion; Claudia Acu&#241;a, Jane Monheit, Dianne Reeves, Cassandra Wilson, vocals<BR>
Bluebird 82876-53016-2 (CD). 2003. John Snyder, prod.; Joe Ferla, eng. DAD. TT: 63:34<BR>
Performance <B>****</B><BR>
Sonics <B>****</B>