It's hard to know what the best strategy is for digital upgrades. Maybe you bought your first CD player when you became convinced that the format was going to succeed, and it seemed that players were about as good as they were going to get. Some time later, you tried one of the new outboard digital processors, and the sonic improvement was such that you just had to have it. Then you replaced the player itself with a CD transport, so you could benefit from improvements in servo control and digital output circuitry. At this point you were generally happy with your digital front-end—until you read about how 16-bit DACs (which is what your processor had) were old hat now that 20-bit DACs were available. But alas, your processor couldn't be upgraded, and was worth maybe 30% of what you'd paid for it. So you took a loss and bought a new-generation digital processor, and things were fine and dandy...for a while.

It's hard to know what the best strategy is for digital upgrades. Maybe you bought your first CD player when you became convinced that the format was going to succeed, and it seemed that players were about as good as they were going to get. Some time later, you tried one of the new outboard digital processors, and the sonic improvement was such that you just had to have it. Then you replaced the player itself with a CD transport, so you could benefit from improvements in servo control and digital output circuitry. At this point you were generally happy with your digital front-end—until you read about how 16-bit DACs (which is what your processor had) were old hat now that 20-bit DACs were available. But alas, your processor couldn't be upgraded, and was worth maybe 30% of what you'd paid for it. So you took a loss and bought a new-generation digital processor, and things were fine and dandy...for a while.

It's hard to know what the best strategy is for digital upgrades. Maybe you bought your first CD player when you became convinced that the format was going to succeed, and it seemed that players were about as good as they were going to get. Some time later, you tried one of the new outboard digital processors, and the sonic improvement was such that you just had to have it. Then you replaced the player itself with a CD transport, so you could benefit from improvements in servo control and digital output circuitry. At this point you were generally happy with your digital front-end—until you read about how 16-bit DACs (which is what your processor had) were old hat now that 20-bit DACs were available. But alas, your processor couldn't be upgraded, and was worth maybe 30% of what you'd paid for it. So you took a loss and bought a new-generation digital processor, and things were fine and dandy...for a while.

We live in a world of strife. Among the many organizations working to change this regrettable fact are the Committee of 100 for Tibet (C100) and the Dalai Lama Foundation (DLF), which together are curating and producing a large-scale <A HREF="http://www.dalailamaportrait.org">art exhibition</A> that will have its official debut at UCLA's Fowler Museum in June 2006. A preview show of <I>The Missing Peace: The Dalai Lama Portrait Project</I> will take place at the Cantor Center for Arts at Stanford University in September 2005, to coincide with a visit to that institution by the Dalai Lama, exiled spiritual leader of the Tibetan people.

In the age of iTunes and Amazon.com, do brick and mortar music retailers have a future? Perhaps&mdash;if they downsize a bit.

Chris Keeler was the first guy I ever knew with an exotic turntable and a record library that most radio stations would envy. The love of music was a driving force throughout his life, one that sustained him right to the end.

With the new power and furniture arrangements in my multichannel room, I've begun to reexamine all the other things that affect system performance, including power conditioning and signal cables. However, I could not get my wife to accept the presence in that room of an <A HREF="http://www.stereophile.com/musicintheround/904music/index1.html">ASC Sub Trap</A>, which lifted my <A HREF="http://www.stereophile.com/loudspeakerreviews/955">Paradigm Servo-15</A> subwoofer to eye level. Not that I protested the Trap's departure all that much&mdash;at that height, Trap and sub partly blocked direct radiation from my rear left speaker. But I felt its absence immediately, as my system returned to the usual somewhat boomy, overly punchy bass. The ASC left me with the determination to deal with room problems, particularly in the bass.

With the new power and furniture arrangements in my multichannel room, I've begun to reexamine all the other things that affect system performance, including power conditioning and signal cables. However, I could not get my wife to accept the presence in that room of an <A HREF="http://www.stereophile.com/musicintheround/904music/index1.html">ASC Sub Trap</A>, which lifted my <A HREF="http://www.stereophile.com/loudspeakerreviews/955">Paradigm Servo-15</A> subwoofer to eye level. Not that I protested the Trap's departure all that much&mdash;at that height, Trap and sub partly blocked direct radiation from my rear left speaker. But I felt its absence immediately, as my system returned to the usual somewhat boomy, overly punchy bass. The ASC left me with the determination to deal with room problems, particularly in the bass.

With the new power and furniture arrangements in my multichannel room, I've begun to reexamine all the other things that affect system performance, including power conditioning and signal cables. However, I could not get my wife to accept the presence in that room of an <A HREF="http://www.stereophile.com/musicintheround/904music/index1.html">ASC Sub Trap</A>, which lifted my <A HREF="http://www.stereophile.com/loudspeakerreviews/955">Paradigm Servo-15</A> subwoofer to eye level. Not that I protested the Trap's departure all that much&mdash;at that height, Trap and sub partly blocked direct radiation from my rear left speaker. But I felt its absence immediately, as my system returned to the usual somewhat boomy, overly punchy bass. The ASC left me with the determination to deal with room problems, particularly in the bass.