You'd think I'd be used to <A HREF="http://www.stereophile.com/interviews/610">Charlie Hansen</A> by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the <A HREF="http://www.stereophile.com/amplificationreviews/412">August 1996 <I>Stereophile</I></A> (Vol.19 No.8). I thought the V-3 was impressive.

You'd think I'd be used to <A HREF="http://www.stereophile.com/interviews/610">Charlie Hansen</A> by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the <A HREF="http://www.stereophile.com/amplificationreviews/412">August 1996 <I>Stereophile</I></A> (Vol.19 No.8). I thought the V-3 was impressive.

You'd think I'd be used to <A HREF="http://www.stereophile.com/interviews/610">Charlie Hansen</A> by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the <A HREF="http://www.stereophile.com/amplificationreviews/412">August 1996 <I>Stereophile</I></A> (Vol.19 No.8). I thought the V-3 was impressive.

You'd think I'd be used to <A HREF="http://www.stereophile.com/interviews/610">Charlie Hansen</A> by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the <A HREF="http://www.stereophile.com/amplificationreviews/412">August 1996 <I>Stereophile</I></A> (Vol.19 No.8). I thought the V-3 was impressive.

You'd think I'd be used to <A HREF="http://www.stereophile.com/interviews/610">Charlie Hansen</A> by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the <A HREF="http://www.stereophile.com/amplificationreviews/412">August 1996 <I>Stereophile</I></A> (Vol.19 No.8). I thought the V-3 was impressive.

You'd think I'd be used to <A HREF="http://www.stereophile.com/interviews/610">Charlie Hansen</A> by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that was published in the <A HREF="http://www.stereophile.com/amplificationreviews/412">August 1996 <I>Stereophile</I></A> (Vol.19 No.8). I thought the V-3 was impressive.

Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.