Vintage Linn LP 12...still viable?
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I've heard about a power amp needing time to warm up. I can hear it in my system when for the first 20 or so minutes the sound is harsh and unfocused. What I also notice is that initially there seems to be some distortion around the crossover frequencies for my speakers (I have a 3-way system). It's almost unbearable with some vocalists when their voice sweeps up and down. The problem goes away together with the harshness after a little while.
Is this something to do with the amp or the voice coils/crossover assembly? Do speakers need to warm up too?
Here's some speaker sales statistics that surprised me, when Matthew Polk gave them to me on a recent trip to Baltimore:
Total speaker sales in 2005: $358 million, up from $294 million in 2004.
Sales of conventional floorstanding speakers: $74 million!!!!
By far the largest-selling category was ceiling speakers, at $115 million, with in-wall speakers at $62 million, outdoor speakers at $53 million, and shelf speakers at $55 million.
Okay, this is kind of hard to explain so i've provided a link to a picture of my system that will allow you guys to understand it easier. I'm kind of stuck on this so any info you could give me would be great. http://img81.imageshack.us/img81/2108/subsetup1as8.jpg
Having temporarily shelved my plans to go over to the dark side with a music server I have come full circle and am about to make the plunge into analogue.
As a true "Linnie" the LP12 is the only way I can think of going and I need some advice as to what to look out for in the Sondek?? world of vintage tables.
My Dual CS505 gave up the ghost when it went into storage 15 years ago and I've forgotten all I learnt with that classic!