Art Dudley and amplifiers

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I offer my sympathies, Toussaint. That anyone should believe Art Dudley owes an explanation for so-called "conflicting" appraisals of two pieces of equipment reviewed over a period of years is pathetic. That anyone would expect the typical reader of Stereophile to recall, in detail, a minor equipment review from three years ago is plain silly. That anyone, who presumably auditioned various amps would choose a Creek is merely sad. Best of luck to you.

Who Says Jazz Isn't Commercial?

Who Says Jazz Isn't Commercial?

The ad team at Dolce & Gabbana seems to think it can be. Would Charles Mingus’ “Moanin’” become a best-seller if more people knew it sounded so cool—or if the millions who watched <A HREF="http://www.youtube.com/watch?v=HMWofLZ6gH8">this TV commercial</A> knew that’s what they were hearing? Could it be that jazz just needs shrewder marketing? (The whole song can be heard on Mingus’ great 1959 album, <I>Blues & Roots</I>.)

Mee-Yow!

Mee-Yow!

Alexis Petridis reviews Paris Hilton's debut record. "She sings like a woman who has heard of something called singing, can't be sure of exactly what it might entail, but is fairly certain you do something a bit like this."

New system advice sought using Sonus Faber Concertinp's as base

I loved the sound of the Sonus Faber Concertino's Domus and am looking to build a system around them (I have no components right now).

I'm not sure about the number of channels I want and am having a bit of a dilemma deciding between two concertino domus's and either two concerto home or two wall domus (saw both of these on auction) to go with the concertino's. Though, if I loose the bids I don't think I'll buy more than two speakers.

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