Attention Screen: The Making of Live at Merkin Hall Attention Screen: The Players

Attention Screen: The Making of Live at Merkin Hall Attention Screen: The Players

<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "

Attention Screen: The Making of Live at Merkin Hall The Music

Attention Screen: The Making of Live at Merkin Hall The Music

<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "

Attention Screen: The Making of Live at Merkin Hall Page 3

Attention Screen: The Making of Live at Merkin Hall Page 3

<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "

Attention Screen: The Making of Live at Merkin Hall Page 2

Attention Screen: The Making of Live at Merkin Hall Page 2

<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "

Attention Screen: The Making of Live at Merkin Hall

Attention Screen: The Making of Live at Merkin Hall

<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "

Audio Research Reference 110 power amplifier Measurements

Audio Research Reference 110 power amplifier Measurements

When I attend <I>Stereophile</I>'s annual Home Entertainment show, I rarely sit and listen to music for very long. Instead, I try to hit every room, press the flesh, find out about new products, and play a little jazz.

Audio Research Corporation
3900 Annapolis Lane North
Plymouth, MN 55447-5447
(763) 577-9700
www.audioresearch.com

Audio Research Reference 110 power amplifier Associated Equipment

Audio Research Reference 110 power amplifier Associated Equipment

When I attend <I>Stereophile</I>'s annual Home Entertainment show, I rarely sit and listen to music for very long. Instead, I try to hit every room, press the flesh, find out about new products, and play a little jazz.

Audio Research Corporation
3900 Annapolis Lane North
Plymouth, MN 55447-5447
(763) 577-9700
www.audioresearch.com

Audio Research Reference 110 power amplifier Specifications

Audio Research Reference 110 power amplifier Specifications

When I attend <I>Stereophile</I>'s annual Home Entertainment show, I rarely sit and listen to music for very long. Instead, I try to hit every room, press the flesh, find out about new products, and play a little jazz.

Audio Research Corporation
3900 Annapolis Lane North
Plymouth, MN 55447-5447
(763) 577-9700
www.audioresearch.com
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