Has anyone heard the AudioSource Amp Seven T Tripath digital power amplifier? Supposedly designed by ex-Carver engineers. 200 watts per channel into 8 Ohms with 0.04% THD. AudioSource has nothing about it on their website.
Attention Screen: The Making of Live at Merkin Hall Attention Screen: The Players
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall The Music
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall Page 3
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall Page 2
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Attention Screen: The Making of Live at Merkin Hall
Aug 18, 2007First Published:Sep 18, 2007
<B>John Atkinson: Making It Live</B>
<BR>
The e-mail from <I>Stereophile</I> reviewer Bob Reina was straightforward: "I want to make a demo of my new jazz group. I plan to record the session in my living room by getting my old four-channel Teac 3440 out of mothballs and sticking one or two mikes on each instrument. I'd like your view on which mikes would be most appropriate for the four instruments . . . "
Audio Research Reference 110 power amplifier Measurements
When I attend <I>Stereophile</I>'s annual Home Entertainment show, I rarely sit and listen to music for very long. Instead, I try to hit every room, press the flesh, find out about new products, and play a little jazz.
Audio Research Reference 110 power amplifier Associated Equipment
When I attend <I>Stereophile</I>'s annual Home Entertainment show, I rarely sit and listen to music for very long. Instead, I try to hit every room, press the flesh, find out about new products, and play a little jazz.
Audio Research Reference 110 power amplifier Specifications
When I attend <I>Stereophile</I>'s annual Home Entertainment show, I rarely sit and listen to music for very long. Instead, I try to hit every room, press the flesh, find out about new products, and play a little jazz.
Has anyone heard the AudioSource Amp Seven T Tripath digital power amplifier? Supposedly designed by ex-Carver engineers. 200 watts per channel into 8 Ohms with 0.04% THD. AudioSource has nothing about it on their website.