Scan-Tech builds low-output moving-coil cartridges for a number of companies, including AudioQuest, Linn, and Spectral (footnote 1). It also markets its own line, under the Lyra brand name (Lydian, Clavis, Parnassus), which is imported and distributed by Immedia out of Berkeley, CA.

Scan-Tech builds low-output moving-coil cartridges for a number of companies, including AudioQuest, Linn, and Spectral (footnote 1). It also markets its own line, under the Lyra brand name (Lydian, Clavis, Parnassus), which is imported and distributed by Immedia out of Berkeley, CA.

Scan-Tech builds low-output moving-coil cartridges for a number of companies, including AudioQuest, Linn, and Spectral (footnote 1). It also markets its own line, under the Lyra brand name (Lydian, Clavis, Parnassus), which is imported and distributed by Immedia out of Berkeley, CA.

Scan-Tech builds low-output moving-coil cartridges for a number of companies, including AudioQuest, Linn, and Spectral (footnote 1). It also markets its own line, under the Lyra brand name (Lydian, Clavis, Parnassus), which is imported and distributed by Immedia out of Berkeley, CA.

<B>WAGNER: <I>G&#246;tterd&#228;mmerung</I></B><BR>
Eva Mart&#243;n, Br&#252;nnhilde; Siegfried Jerusalem, Siegfried; John Tomlinson, Hagen; Thomas Hampson, Gunther; Eva-Maria Bundschuh, Gutrune; Marjana Lipovsek, Waltraute; Theo Adam, Alberich; Jard Van Nes, First Norn; Anne Sofie von Otter, Second Norn; Jean Eaglen, Third Norn; Julie Kaufmann, Woglinde; Silvia Herman, Wellgunde; Christine Hagen, Flosshilde; Bavarian Radio Symphony Orchestra & Chorus; Bernard Haitink<BR>
EMI CDCD 54485 (4 CDs only). Wolfram Graul, Peter Alward, prods.; Martin W&#246;hr, eng. DDD. TT: 4:17:42

<B>JOHN WESLEY HARDING: <I>Why We Fight</I></B><BR>
Sire 45032-2 (CD only). Steve Berlin, prod.; Paul DuGre, Danny McGough, engs. AAD. TT: 53:38

I still have fond memories of my first Krell amplifier, a KSA-50. Back in those days (date purposely omitted), my principal source of audio equipment reviews, aside from <I>Stereophile</I> and <I>The Absolute Sound</I>, was <I>Hi-Fi News & Record Review</I>, which I read voraciously from cover to cover every month. One fateful day while sitting by our community swimming pool, I happened upon an enlightening review of the KSA-50 written by none other than our own John Atkinson, editor of <I>HFN/RR</I> <A HREF="http://www.stereophile.com/asweseeit/352">at the time</A>. His words describing "the steamroller-like inevitability of the bass with this amplifier" haunted me for weeks, until I got up the nerve to audition, and ultimately purchase, my first Krell product.

I still have fond memories of my first Krell amplifier, a KSA-50. Back in those days (date purposely omitted), my principal source of audio equipment reviews, aside from <I>Stereophile</I> and <I>The Absolute Sound</I>, was <I>Hi-Fi News & Record Review</I>, which I read voraciously from cover to cover every month. One fateful day while sitting by our community swimming pool, I happened upon an enlightening review of the KSA-50 written by none other than our own John Atkinson, editor of <I>HFN/RR</I> <A HREF="http://www.stereophile.com/asweseeit/352">at the time</A>. His words describing "the steamroller-like inevitability of the bass with this amplifier" haunted me for weeks, until I got up the nerve to audition, and ultimately purchase, my first Krell product.