That's a pretty snazzy new pre-pro from NAD, the T-175 ($1999). It sports four HDMI inputs, lots of analog and digital audio inputs as well as "legacy" video sources. Of special note is the inclusion of Audyssey MultEQ XT room correction, with a custom response curve option developed with PSB's Paul Barton. In addition, this is one of the first of a new generation of AVRs, pre-pros, and processors that are compatible with the potent Audyssey Pro Audio Calibration intended for professional installation. Others capable of Audyssey Pro include NAD's T775 and T785 AVRs, and Denon's AVR-5805CI, '5308CI, '4308CI and '3808CI AVRs. Also on Audyssey's lists are the Denon AVP1HD pre-pro, the Integra DTC-9.8 and OnkyoPro PR-SC885 pre-pros, the Integra DTR-8.8 AVR, the Crestron Adagio Media System, the Phase Technology dARTS system, and, of course, the Audyssey Sound Equalizer.

Just a short note to tell you that the smaller brother of the affordably priced but high-performance Pioneer Elite S-1EX loudspeaker that I enjoyed so much last <A HREF="http://www.stereophile.com/floorloudspeakers/307piosex/">March</A&gt; has made its way to these shores. The S-3EX is slightly shorter and narrower, with 7" woofers in place of its bigger brother's 8" drivers. Retained are the CST Driver technology, the Aramid/Carbon-composite&ndash;shell woofers, the clean design and construction and, presumably, all the sound except at subwoofer levels. Not retained is about a third of the cost with the S-3EX estimated at $6000/pair instead of $9000.

Panamax's $2000 MAX 7500 PO is billed as "home theater management." Its 720VA isolation transformer is designed to optimize the performance of digital sources and video displays and isolate them from audio circuitry. It also offers extremely sophisticated ground isolation.Voltage regulation and balanced power are also provided.

MartinLogan showed some enticing and very reasonably-priced two-ways with real electrostatic drivers. The Purity (left) and the Source (right) are similar in size and appearance (at least so far as the electrostatic elements are concerned), but differ significantly. The Source ($2000/pair) uses an 8” woofer and has a wedge-shaped base that allows you to tilt the entire speaker to suit the needed vertical listening angle. The Purity ($3000/pair) has a pair of 6.5” woofers and a 200W digital amp, which permits it to be driven by a CD player or preamp or, even, by an MP3 player.

All of us have excuses for why we cannot acoustically treat our rooms but a lot of the underlying reason is that many are not convinced that they should make the physical or financial effort. I’ve discovered what I think of as training wheels for room acoustics. Tom Gorzelski of mytheater acoustic panel showed me his simple and inexpensive kits; these are enough to get anyone started. The panels are only 1" thick and, with their polyester filling, light enough to hang with a single nail. Don't expect them to work into the bass, therefore, but Tom acknowledges that they are most effective at 1&ndash;2kHz. Also, they come in packages of four 24x40 panels ($120) or two 24x24 panels ($45) because you cannot expect just one to make a difference. Still, hanging a 4pack of the bigger panels should reduce reflections if placed at ear level and, especially, at the first reflection points on the side-walls. It's likely you'll like it enough, perhaps, to do even more.

Furman's Reference line of power conditioners are handsomely packaged and feature packed. The $1499 20A SPR-20i Stable Power Regulator has linear filtering technology, multi-stage power surge suppression, extreme voltage shutdown, a detachable module for telco surge suppression, as well as three pairs of HD ready cable/satellite TVSS isolated F-connectors.

Linn was showing its new reference standard digital player, the Klimax DS, which it is dubbing "the first authentic hi-fi product to stream digital music over a standard home network." Not impressed? How about this: it is capable of utilizing Linn's 24/96 downloads and, according to Rikke Ravnborg, director of marketing, is sonically superior to Linn's long-term digital reference, the CD-12.

MIT's Bruce Brisson was determined to shrink his Multipole technology so that his patented networks did not requite bulky boxes near their cables' termination. Naturally, he thought surface-mount components were the way to go. That was until he began measuring them and discovered that SM components were variable and many didn't measure well.

Similar to the MPC line level terminations are MIT's Multipole In-Wall termination systems, shown here by Kent Loughlin. The five-way binding posts fit into an ordinary on-wall quad box and come in three configurations: 11 pole, 15 pole, and 21 pole network. No soldering required.