The first thing that strikes you about <I>A Life in Time: The Roy Haynes Story</I>—a 3-CD (plus a bonus DVD) box-set that spans the career of drummer Roy Haynes—is just how wide and varied a span it is. It opens in 1949, with Haynes as a sideman to Lester Young, proceeds to sessions with Charlie Parker, Miles Davis, Sonny Rollins, Sarah Vaughan, and Nat Adderley; moves into ‘60s avant-modernism with John Coltrane, Eric Dolphy, Jackie McLean, Andrew Hill, and Chick Corea; and cruises into the ‘70s and beyond (he is still very active at age 82) with bands under his own leadership.

Jazz fans rejoice! Not only is <A HREF="http://blog.stereophile.com/cedia2007/090707bluenote/">Music Matters</A> releasing new 45rpm double LP reissues of classic Blue Note titles, but so is Analogue Productions.

<B>Jammie Thomas Appeal:</B> Just weeks after having been found liable for <A HREF="http://stereophile.com/news/100807jammie/">$220,000 in damages</A> for allegedly offering 24 music tracks on her KaZaa account, Jammie Thomas has filed a notice of remittitur with the US District Court for the District of Minnesota, asking the judge to slash the jury's damage award, contending that she should receive a retrial that assesses the damages based on the <I>actual</I> damages suffered by the labels resulting from her making the files available.

A Show like last week's <A HREF="http://blog.stereophile.com/rmaf2007">Rocky Mountain Audio Fest</A> presents me with conflicts. As a member of the press I should be spending my time covering the Show. However, I am also spending my time as a participant, in this case giving a <A HREF="http://www.stereophile.com/news/100807rmaf/">series of presentations</A> in which I allowed Showgoers the opportunity to listen to the hi-rez masters of many of my <I>Stereophile</I> recordings and compare them with CD and MP3 versions.

<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends&mdash;vinyl <I>and</I> open-reel tape&mdash;was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.

<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends&mdash;vinyl <I>and</I> open-reel tape&mdash;was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.

<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends&mdash;vinyl <I>and</I> open-reel tape&mdash;was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.

<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends&mdash;vinyl <I>and</I> open-reel tape&mdash;was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.

<A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A> was a blast for me, as it is every year. Not only did I get to perform with <I>two</I> jazz bands, <A HREF="http://www.stereophile.com/musicrecordings/907att">Attention Screen</A> and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends&mdash;vinyl <I>and</I> open-reel tape&mdash;was the highest I've seen at a show in over a decade. Second, there was a surprising number of <I>very</I> expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.