Klaus Heymann: A 20th-Anniversary Chat with the Founder of Naxos Page 2
When Hong Kong–based music lover and electronics-equipment distributor Klaus Heymann (footnote 1), now 70, first began organizing classical-music concerts as a way to boost sales, he had no idea he would end up founding the world's leading classical-music label. But after starting a record-label import business and meeting his future wife, leading violinist Takako Nishizaki, the German-born entrepreneur sought a way to promote her artistry. First he founded the HK label, which specialized in Chinese symphonic music (including Nishizaki's recording of <I>Butterfly Lovers</I>, the famous violin concerto by Chen Gang). Next he established Marco Polo, a label devoted to symphonic rarities.
Klaus Heymann: A 20th-Anniversary Chat with the Founder of Naxos
Dec 29, 2007
When Hong Kong–based music lover and electronics-equipment distributor Klaus Heymann (footnote 1), now 70, first began organizing classical-music concerts as a way to boost sales, he had no idea he would end up founding the world's leading classical-music label. But after starting a record-label import business and meeting his future wife, leading violinist Takako Nishizaki, the German-born entrepreneur sought a way to promote her artistry. First he founded the HK label, which specialized in Chinese symphonic music (including Nishizaki's recording of <I>Butterfly Lovers</I>, the famous violin concerto by Chen Gang). Next he established Marco Polo, a label devoted to symphonic rarities.
I want to start this year's gift recommendations by briefly revisiting the results of my Musical Cultural Literacy for Americans write-in competition, which ran in the April issue. All 12 winning entries of 12 selections each are <A HREF="http://www.stereophile.com/thefifthelement/407fifth/index3.html">posted online</A> (footnote 1).
I want to start this year's gift recommendations by briefly revisiting the results of my Musical Cultural Literacy for Americans write-in competition, which ran in the April issue. All 12 winning entries of 12 selections each are <A HREF="http://www.stereophile.com/thefifthelement/407fifth/index3.html">posted online</A> (footnote 1).
I want to start this year's gift recommendations by briefly revisiting the results of my Musical Cultural Literacy for Americans write-in competition, which ran in the April issue. All 12 winning entries of 12 selections each are <A HREF="http://www.stereophile.com/thefifthelement/407fifth/index3.html">posted online</A> (footnote 1).
I want to start this year's gift recommendations by briefly revisiting the results of my Musical Cultural Literacy for Americans write-in competition, which ran in the April issue. All 12 winning entries of 12 selections each are <A HREF="http://www.stereophile.com/thefifthelement/407fifth/index3.html">posted online</A> (footnote 1).
Here goes my story - the hunt for the perfect upgrade.
My set up : Marantz CD 7300 cdp, Marantz PM 7200 amp and Jamo E855. Also I have not invested in any cables or interconnects (I am using probably the lowest grade cables and I have not done biwiring).
My problem : Fatigue , some how I tire out with my set up. Its not a particular sound problem (though I feel the mid range is not good with the Jamos) but it is more related to fatigue I guess, I tire out after an hour or two and I feel something is wrong.
Hello to all ye experts !
Here goes my story - the hunt for the perfect upgrade.
My set up : Marantz CD 7300 cdp, Marantz PM 7200 amp and Jamo E855. Also I have not invested in any cables or interconnects (I am using probably the lowest grade cables and I have not done biwiring).
My problem : Fatigue , some how I tire out with my set up. Its not a particular sound problem (though I feel the mid range is not good with the Jamos) but it is more related to fatigue I guess, I tire out after an hour or two and I feel something is wrong.