Here's a look at the inside of Ayre's KX-R preamp. "Wow!" exclaimed John Atkinson.

If one were to judge by the new product introductions from Ayre and Jeff Rowland Design, $18k seems to be the price point for high-end solid-state preamplifiers. Rowland's new Criterion preamp uses NiMH batteries in the power supply; these are more easily available than the lead-zinc ones that were used in Rowland's previous top preamp—and, of course, the design of the Criterion features a number of improvements from its predecessor. Rowland also introduced the new Continuum integrated amp, available in two version: 350Wpc ($7200) or 500Wpc
($8800), the latter featuring power-factor correction.

Anglo-Chinese brand Quad is not one of your consumer electronics companies that revamps their entire line every year (whether it needs to or not). Some might even consider their approach a bit stodgy, resisting change. So when they come out with not just one new product but a completely new series, that has to be considered news.

Continuing my game of guess-the-nationality-of-the-manufacturer, I walked into a demo room that had a very-nice-sounding system with the brandname Nightingale. My thought was <I>British</I> (I recall vaguely a British speaker designed by John Jeffries many years ago bearing that name) or <I>Japanese</I> (as in the Emperor’s Nightingale). However, the answer was <I>Italian</I>. They make electronics as well as speakers: they were demming the prototype PTS-03 battery-operated preamp ($8000), the Gala power amp ($6000), and the new CTR-2 speakers ($9000/pair). I also saw what I thought was another power amp (the one on the right in the picture), so I asked about it, and was told that it was actually the power supply for the amp. I wasn’t doing too well in my guessing here!

Bryston's James Tanner surprised me by showing me a new direction for Canadian amplifier manufacturer Bryston: it has developed a series of class-D (switching) amplifiers. "You'll notice from the line's hybrid name that we combine the class-D output module with regular linear power supplies, not switching supplies," explained James. "The switching supplies are too noisy."

Attendance was light at the Alexis Park on Wednesday, with the rooms closest to the front getting the most attention. That was certainly the case for Evolution Acoustics, whose imposing MM3 modular speaker commands respect. After seven years of development, this huge baby, designed by Kevin Malmgren (left, formerly of Von Schweikert) made its initial debut at RMAF 2006. Then, the company went low-key while Malmgren and his wife were busy raising their first child (who, after almost one year of development, has just made a most auspicious debut in his stroller at T.H.E. Show 2008). Well, not really. The speaker was back-ordered even before it was launched, and has kept Malmgren and its distributor so busy that they haven’t had the time or need to yet establish a dealer network.

As much as I had hoped to write about new companies at T.H.E. Show this time around, I keep finding myself drawn to "old friends" for one overriding reason: their sound is the best I encounter. Such was the case with veteran audio designer Peter Ledermann's Soundsmith. Despite Peter's 1960s-holdover proclivity to turn his consistently impressive, housed-in-wood electronics into multi-colored light shows&mdash;thank God you can dim the lights or turn them off entirely&mdash;the former Director of Engineering at the Bozak Corporation continues to astound with the sound of his phono cartridges and the amazing frequency response of his small Firefly speakers.