<A HREF="http://www.stereophile.com/interviews/688vandersteen">Richard Vandersteen</A> was in good form at the 20th-anniversary seminar held by retailer Advanced Audio on November 11, 2006. When asked about his priorities in loudspeaker design, he sat erect in the seat next to me and thundered, "I will <I>not</I> [<I>slams table with open hand</I>] spend one red cent on cosmetics that I could have put into improving the sound of a loudspeaker!"

<A HREF="http://www.stereophile.com/interviews/688vandersteen">Richard Vandersteen</A> was in good form at the 20th-anniversary seminar held by retailer Advanced Audio on November 11, 2006. When asked about his priorities in loudspeaker design, he sat erect in the seat next to me and thundered, "I will <I>not</I> [<I>slams table with open hand</I>] spend one red cent on cosmetics that I could have put into improving the sound of a loudspeaker!"

<A HREF="http://www.stereophile.com/interviews/688vandersteen">Richard Vandersteen</A> was in good form at the 20th-anniversary seminar held by retailer Advanced Audio on November 11, 2006. When asked about his priorities in loudspeaker design, he sat erect in the seat next to me and thundered, "I will <I>not</I> [<I>slams table with open hand</I>] spend one red cent on cosmetics that I could have put into improving the sound of a loudspeaker!"

<A HREF="http://www.stereophile.com/interviews/688vandersteen">Richard Vandersteen</A> was in good form at the 20th-anniversary seminar held by retailer Advanced Audio on November 11, 2006. When asked about his priorities in loudspeaker design, he sat erect in the seat next to me and thundered, "I will <I>not</I> [<I>slams table with open hand</I>] spend one red cent on cosmetics that I could have put into improving the sound of a loudspeaker!"

It was the strangest feeling: to be part of something yet without any understanding of how what I was doing fit into the whole. Back in the early 1980s, I had graduated from playing miscellaneous instruments in an early-music ensemble to devoting myself to the recorder (the end-blown fipple flute, not the audio archiving machine). My teacher, Nancy Winkelmann, had introduced me to various ensembles, and one Saturday afternoon, an ad hoc group of us was working with a composer of so-called "aleatoric" music; literally, music by chance.

<B>MILES DAVIS: <I>The Complete On the Corner Sessions</I></B><BR>
Miles Davis, trumpet, electric trumpet, electric organ, electric piano, synthesizer; Michael Henderson, (electric bass); Badal Roy (tablas); Dave Leibman, Carlos Garnett, Bennie Maupin, John Stubblefield, Sonny Fortune, Sam Morrison (reeds, flute); Wally Chambers (harmonica); Cornell Dupree, John McLaughlin, Dave Creamer, Reggie Lucas, Pete Cosey, Dominique Gaumont (guitar); Al Foster, Bernard Purdie, Jack DeJohnette, Billy Hart, Pete Cosey (drums); Mtume, Don Alias, Billy Hart (congas, percussion); Herbie Hancock, Chick Corea, Harold Ivory Williams, Lonnie Liston Smith, Cedric Lawson (keyboards); Colin Walcott, Khalil Balakrishna (electric sitar), Paul Buckmaster (electric cello).<BR>
Columbia/Legacy 88697 06239 2 (6 CDs). 1972&ndash;75/2007. Teo Macero, Billy Jackson, orig. prods.; Bob Belden, Michael Cuscuna, reissue prods.; Stan Tonkel, Don Pulese, Russ Payne, Doug Pomeroy, orig. engs. AAD? TT: 6:47:42<BR>
Performance ****&#189;<BR>
Sonics *****

December 16, 2007 was the 60<SUP>th</SUP> anniversary of the invention of the point transfer transistor. <I>Forbes</I> has an <A HREF="http://www.forbes.com/opinions/2007/12/15/transister-creation-anniversa…; on it.