Philip Pullman: Storyteller

Philip Pullman: Storyteller

When Philip Pullman wrote <I>His Dark Materials</I>, he thought he might have written a story that would appeal to a "a few clever kids and a few intelligent adults." The series has been translated into 40 languages and has sold 15 million copies. If he was that wrong about that, he's probably wrong about what it's about, too.

Been a Long Time, Been a Long Time

Been a Long Time, Been a Long Time

Needless to say, I'm not in London waiting in line at O2 arena but that doesn't mean my thoughts, like those of about every other music fan on the planet, aren't turned to what's going to happen this evening when Led Zeppelin ends two decades of silence and lets it rip in what's being billed as a one-off show for charity.

Thought You Might Like to Know

Thought You Might Like to Know

<A HREF="http://www.aperionaudio.com/home.aspx">Aperion Audio</A> is teaming up with <A HREF="http://www.outlawaudio.com/">Outlaw Audio</A> to offer a holiday savings deal. Here's how it works: Purchase any Aperion speaker system costing more than $998 between now and December 31, 2007 and Aperion will email you a promo code worth 5% off any Outlaw electronic component. Go to Outlaw's site, choose your gear, and apply the promo code for your discount.

Does a Processor Change the "Tube" Sound From A Tube Preamp

Forums

Ineed to know if adding a processor to a 2 channel system (with a tube preamp) takes away from the "tube" sound. I ask this because I am interested in adding a processor (McIntosh MAC 3) to my 2 channel system so I can have multiple speakers in the listening room to experiment with sound ambiance, etc but I am afraid that as the signal from the tube preamp passes through the processor something drastic will changes in the sound. So, will the processor (or more specifically if you happen to know) will this processor, actually change the tube sound characteristic?

The Blue Note and the Euro Menace

The Blue Note and the Euro Menace

As further evidence that the American empire is on the decline, I submit the 8:00 set Friday night at the Blue Note on West 3rd Street in New York City, where three front-and-center tables of Europeans—twenty young to middle-aged, professional-looking men and women, who all seemed to be part of the same tour group—made more noise at a jazz club than I think I’ve ever witnessed. Shushing and shaming, from me and others in the audience, had but short-term impact; they’d quiet down for a few minutes and listen to the trio on the bandstand (more about them, in a moment), but then got back to the main business of yakking, chuckling, and generally treating the whole proceedings as the soundtrack to their merry Manhattan vacation and us poor jazz fans as mere props in the spectacle.

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