Thank you, Art Dudley

I really appreciated the comments that you made concerning the musical vacuum that one finds on so-called "audiophile records." Another audio publication (one that prides itself on not having any measurements in its reviews) published an article a few months ago with a list of sound spactaculars--that wasn't the name of the article, but you get the idea. These include loud drum records, the musically empty soundtrack from The Thin Red Line, some of Villa Lobos' worst music, etc. etc. I cannot understand why anyone would want to use fine equipment to play musical trash.

Between Heaven and Hell

Between Heaven and Hell

As I searched through the new arrivals at the Princeton Record Exchange, I kept coming back to this album. I knew nothing about Oscar Brown Jr.&#151had never even heard of the guy&#151but the pain communicated in the album title and cover art intrigued me. Even if it turned out that I didn't like the music, I'd at least get an interesting piece of art. And for just four bucks!

Guitars and Digital Only

Guitars and Digital Only

It’s been a Guitar Fest here in NYC lately. I’ve seen Bill Frisell (always superb), Kenny Burrell (a very rare pleasure because he hates to fly) and Mike Marino (with new Blue Note pianist Aaron Parks). Tonight is a tribute to Fender's Jazzmaster guitar headlined by Nels Cline, J. Mascis, Thurston Moore and Tom Verlaine. Must be frets in the water or something.

Affordable record clamps

Hello All-

I'm looking for an affordable (less than $50) record clamp to go with my Pro-Ject 1.2. The two that I've seen that might fit the bill are:

KAB USA (whom I know nothing about):
http://www.kabusa.com/usagrip.htm

Clearaudio: Clever Clamp

Does anyone have any experience with either of these or other suggestions? In case it affects the answer I am using a Audioquest Sorathane record mat, which I'm not married to.

Advertisement
Advertisement
Advertisement
Advertisement