I first encountered Avalon Acoustics' loudspeakers about 20 years ago. The hi-fi shop I worked for sold Jeff Rowland Design Group electronics, and Jeff Rowland insisted that no loudspeaker better showcased his electronics than the Avalons. Rowland sent us a pair of Ascents, and we were startled by their gem-like, faceted cabinets and remarkable soundstaging. As we packed them up to return them to Colorado, I remember thinking, <I>I could live with these speakers.</I>

I first encountered Avalon Acoustics' loudspeakers about 20 years ago. The hi-fi shop I worked for sold Jeff Rowland Design Group electronics, and Jeff Rowland insisted that no loudspeaker better showcased his electronics than the Avalons. Rowland sent us a pair of Ascents, and we were startled by their gem-like, faceted cabinets and remarkable soundstaging. As we packed them up to return them to Colorado, I remember thinking, <I>I could live with these speakers.</I>

I first encountered Avalon Acoustics' loudspeakers about 20 years ago. The hi-fi shop I worked for sold Jeff Rowland Design Group electronics, and Jeff Rowland insisted that no loudspeaker better showcased his electronics than the Avalons. Rowland sent us a pair of Ascents, and we were startled by their gem-like, faceted cabinets and remarkable soundstaging. As we packed them up to return them to Colorado, I remember thinking, <I>I could live with these speakers.</I>

Last December, when Wadia Digital announced that it was releasing an iPod docking cradle that could access the digital signal <I>before</I> it had passed through the player's own D/A converter, many audiopundits were surprised. <I>I</I> was disbelieving, and nearly told Wadia's John Schaffer that he was shining me on. After all, Apple has tiptoed around the whole issue of consumers being able to digitally copy their iTunes files, going so far as to wrap its iTunes Music Store files in digital rights management (DRM) code.

Last December, when Wadia Digital announced that it was releasing an iPod docking cradle that could access the digital signal <I>before</I> it had passed through the player's own D/A converter, many audiopundits were surprised. <I>I</I> was disbelieving, and nearly told Wadia's John Schaffer that he was shining me on. After all, Apple has tiptoed around the whole issue of consumers being able to digitally copy their iTunes files, going so far as to wrap its iTunes Music Store files in digital rights management (DRM) code.

Last December, when Wadia Digital announced that it was releasing an iPod docking cradle that could access the digital signal <I>before</I> it had passed through the player's own D/A converter, many audiopundits were surprised. <I>I</I> was disbelieving, and nearly told Wadia's John Schaffer that he was shining me on. After all, Apple has tiptoed around the whole issue of consumers being able to digitally copy their iTunes files, going so far as to wrap its iTunes Music Store files in digital rights management (DRM) code.

Last December, when Wadia Digital announced that it was releasing an iPod docking cradle that could access the digital signal <I>before</I> it had passed through the player's own D/A converter, many audiopundits were surprised. <I>I</I> was disbelieving, and nearly told Wadia's John Schaffer that he was shining me on. After all, Apple has tiptoed around the whole issue of consumers being able to digitally copy their iTunes files, going so far as to wrap its iTunes Music Store files in digital rights management (DRM) code.