Don't be confused by the MBL 6010 D's oddly baroque, even retro looks. Behind all the glitz—the oversize, perfectly finished, black-lacquered faáade; the two big, solid brass knobs plated with 24-karat gold; the ornate lettering; and the incongruous digital volume display—resides a thoroughly modern, remote-controlled, unusually versatile, and well-thought-out solid-state preamplifier. Not that the 6010 is a new design. It's been around for a long time, and the current "D" iteration is at least five years old.

Don't be confused by the MBL 6010 D's oddly baroque, even retro looks. Behind all the glitz—the oversize, perfectly finished, black-lacquered faáade; the two big, solid brass knobs plated with 24-karat gold; the ornate lettering; and the incongruous digital volume display—resides a thoroughly modern, remote-controlled, unusually versatile, and well-thought-out solid-state preamplifier. Not that the 6010 is a new design. It's been around for a long time, and the current "D" iteration is at least five years old.

Don't be confused by the MBL 6010 D's oddly baroque, even retro looks. Behind all the glitz—the oversize, perfectly finished, black-lacquered faáade; the two big, solid brass knobs plated with 24-karat gold; the ornate lettering; and the incongruous digital volume display—resides a thoroughly modern, remote-controlled, unusually versatile, and well-thought-out solid-state preamplifier. Not that the 6010 is a new design. It's been around for a long time, and the current "D" iteration is at least five years old.

Don't be confused by the MBL 6010 D's oddly baroque, even retro looks. Behind all the glitz—the oversize, perfectly finished, black-lacquered faáade; the two big, solid brass knobs plated with 24-karat gold; the ornate lettering; and the incongruous digital volume display—resides a thoroughly modern, remote-controlled, unusually versatile, and well-thought-out solid-state preamplifier. Not that the 6010 is a new design. It's been around for a long time, and the current "D" iteration is at least five years old.

Don't be confused by the MBL 6010 D's oddly baroque, even retro looks. Behind all the glitz—the oversize, perfectly finished, black-lacquered faáade; the two big, solid brass knobs plated with 24-karat gold; the ornate lettering; and the incongruous digital volume display—resides a thoroughly modern, remote-controlled, unusually versatile, and well-thought-out solid-state preamplifier. Not that the 6010 is a new design. It's been around for a long time, and the current "D" iteration is at least five years old.

The best, most enduring audio products have in their favor more than great sound: They have some sense of history as well. Particularly good examples abound from the British companies Spendor, Rogers, and Harbeth, some of whose products were actually commissioned into being by the British Broadcasting Corporation. Better that, I suppose, than existing to fill a price point.

The best, most enduring audio products have in their favor more than great sound: They have some sense of history as well. Particularly good examples abound from the British companies Spendor, Rogers, and Harbeth, some of whose products were actually commissioned into being by the British Broadcasting Corporation. Better that, I suppose, than existing to fill a price point.

The best, most enduring audio products have in their favor more than great sound: They have some sense of history as well. Particularly good examples abound from the British companies Spendor, Rogers, and Harbeth, some of whose products were actually commissioned into being by the British Broadcasting Corporation. Better that, I suppose, than existing to fill a price point.

The best, most enduring audio products have in their favor more than great sound: They have some sense of history as well. Particularly good examples abound from the British companies Spendor, Rogers, and Harbeth, some of whose products were actually commissioned into being by the British Broadcasting Corporation. Better that, I suppose, than existing to fill a price point.