With a factory in Brooklyn's Navy Yard, John DeVore's DeVore Fidelity is almost a neighbor, and he is that rare bird, an American speaker manufacturer who makes his own cabinets. Or rather, he benefits from leasing space to a high-end wood-working company. New at CES was the Gibbon 3XL (around $3500/pair), an impressive sounding two-way standmount that, unusually, features a cabinet made from bamboo. Bamboo is "green," in that it is a fast-growing renewable material, yet its combination of stiffness and damping makes it very suitable for use in speaker cabinets.

To judge by some of the comments that have been posted to this Show report, some American audiophiles resent the fact that so much audio manufacturing has been outsourced to China. But the fact remains that if you wish to be able to purchase high-end quality at rock-bottom pricing, manufacturers have little choice but to turn to China. The irony is that even when price is taken into account, the quality of Chinese manufacture is very often superb.

The diminutive Harbeth HL-P3 has been one of this magazine's consistently recommended speakers since we first <A HREF="http://www.stereophile.com/standloudspeakers/1293harbeth/">reviewed it</A> in 1993. While some details have been improved over the years (and been reported on in the magazine), its design has remained consistent over the years: a diminutive two-way stand-mount intended to take the place of the classic <A HREF="http://www.stereophile.com/standloudspeakers/361/">BBC-designed LS3/5a</A> for location monitoring and for audiophiles with small rooms who value midrange purity and superbly stable, well-defined stereo imaging over bass extension and ultimate loudness capability.

Whenever I think of Totem Acoustics, I tend to associate the Montreal-based company with relatively affordable high-performance speakers like the Model One and The Forest. But designer and founder Vince Bruzzese has attempted to reach for the stars with his floorstanding WInd design ($12,500/pair, according to the cryptic spider scratchings in my reporter's notebook) . Acquisition of a new CNC wood-working machine has allowed him to update the Wind, and at CES, Totem was showing the latest version, finished in high-gloss automotive paints. (The speaker shown with Vince is finished in "De Tomasso Blue.")

Loudspeaker manufacturer VMPS ran a series of live-<I>vs</I>recorded dems throughout the four days of CES, at the Zeus Ballroom in T.H.E. Show's Alexis Park venue. In dems organized by VMPS's Brian Cheney, groups of musicians and singers first performed live while being recorded by some of Ray Kimber's staff in DSD, using crossed figure-8 mikes, Millennia Media mike preamps, and Meitner converters. The recording was then played back on VMPS speakers and subwoofers, driven by Ampzilla amplification, with Audience Adept Response power conditioning and Audience Au24 e cables. The playback level was matched to that of the original, allowing legitimate comparisons. (The mikes were close enough in the solo singer dem I witnessed to minimize the double contribution of the room acoustic.)

A close-up of Jim Borgiorno in the VMPS ballroom, performing a classic from the Golden Age of American popular song.

For those for whom the mere mention of the price of a Tenor Audio amp sends their voice into the soprano range, PrimaLuna's multi-tiered line of triode amplification may help them descend to earth.

Directly across the hall from the PrimaLuna exhibit, I discovered its somewhat more expensive big brother line, Myst&#232;re. While PrimaLuna amps operate in triode mode, Myst&#232;re gives you the sound of tetrode. These aren't high power babies&#151;the ia11 integrated amp ($1995) puts out 40Wpc watts and the ia21 integrated amp ($2995) gives you 50Wpc. The electronics are manufactured with a different partner in China, and are the dream project of their designer.