<I>It belonged to a tenor!</I> (ba-dum-dum) Thank you ladies and gentlemen, I'll be here all week.

Tenor's promised Tenor Pre preamplifier ($40,000) is a hybrid, using tubes for the input stage and MOSFETs for the output. It should be available in two months. As a whole, the Tenor system (fleshed out with Hansen Emperors and Kubala-Sosna cables) was outstanding.

This is what the Lamm ML3 <I>Signature</i> looks like under the hood. Clean layout and P2P wiring throughout.

Lamm was driving the new Wilson Maxx series 3 with its 32Wpc ML3 <I>Signature</I> SE triode monoblocks ($139,290/pair). It was my first chance to hear either, so I can't tell you if it was the speakers or the amps that were making the magic happen, but happen it did.

Chord demonstrated the absolutely stunning Indigo Advanced D to A ($15,000). Yes, that's an iPod dock on top, but the Indigo isn't just another iPod dock. For one thing, you can only dock Chord modified iPods directly into it, allowing Chord to access the digital data in the iPod. The Indigo also has a A2DP radio "dongle" that can seamlessly stream digital radio ir music from anywhere in the room. Another dongle is supplied to stream analog output from unmodified iPods.

As <i>Stereophile</i>'s senior editor, Jonathan Scull wrote a popular column called "<a href="http://www.stereophile.com/finetunes/">Fine Tunes</a>." He now handles <a href="http://www.scullcommunications.com/">marketing and press relations</a> for Bel Canto, Furutech, Loiminchay, and Ultralink/XLO. And does a pretty decent impersonation of me.

Ad Manager, Laura LoVecchio, is obviously having a great time at CES.

The inimitable <a href="http://blog.stereophile.com/wesphillips/">WP</a&gt; takes a poke at me.

As I was heading out dazed from the Sennheiser headphone experience, Dynaudio’s Mike Manousselis invited me to briefly listen to their demo. In the middle of the Convention Center’s huge South Hall, and at a reasonable volume level that did not attempt to drown out the ubiquitous din, a very cool Patricia Barber had claimed the space as her own. Abetted by a Wadia player and Simaudio amplification, speakers that I think were the Focus 360&#151;Mike, help me out here; I hadn’t yet come down to earth from the Sennheisers&#151;were doing a marvelous job of filling the space with inviting sound. If anything could entice me to transition from Richard Strauss’ Alpine heights to Patricia Barber’s sensual coolness, it was this speaker/electronics combo.