While I was basking in the sound of Richard Vandersteen's stunning new Model 7s ($45,000/pair), I asked about the tube amps he was using. "Those are Jim White's Atlases—and I think they're damn good." Richard never minces words, so a "damn good" from him is almost as high praise as a "doesn't suck too bad" from JA.

Scaena is a modular speaker design that combines multiple small midrange drivers, each mounted in a pod affixed to a rigid stand, with subwoofers placed elsewhere.The speakers come with digital crossover and high-current amplification for the subs. The speakers come as 24, 30, or 36 pod units and you can add as many subs as you require.

I was not previously aware of Vexo, a Milan-based manufacturer of tube amps, but I was very impressed by the 15Wpc VXSE-KT88/C ($3900). I asked Koetsu USA's Hiram Toro if that price meant the amps were designed in Milan but built in Asia. "Oh no," he said. "Vexo is designed and built in Italy and it is stuffed with European components.

Sutherland also had a nifty little record weight/strobe timer, the $900 Timeline. Yikes!

Ron Sutherland had a new battery powered phono section, the Hubble ($3800). The batteries come in a special battery compartment, so that there is only a single point of contact at each pole. He reckons the batteries are good for 800 hours of use and he has incorporated at clock in the unit so you can keep track. Each time you fire it up, program in you anticipated listening session and it will count it down and turn off the power at the assigned time—the same LEDs that serve as the timer also indicate battery strength as well.

With a factory in Brooklyn's Navy Yard, John DeVore's DeVore Fidelity is almost a neighbor, and he is that rare bird, an American speaker manufacturer who makes his own cabinets. Or rather, he benefits from leasing space to a high-end wood-working company. New at CES was the Gibbon 3XL (around $3500/pair), an impressive sounding two-way standmount that, unusually, features a cabinet made from bamboo. Bamboo is "green," in that it is a fast-growing renewable material, yet its combination of stiffness and damping makes it very suitable for use in speaker cabinets.

To judge by some of the comments that have been posted to this Show report, some American audiophiles resent the fact that so much audio manufacturing has been outsourced to China. But the fact remains that if you wish to be able to purchase high-end quality at rock-bottom pricing, manufacturers have little choice but to turn to China. The irony is that even when price is taken into account, the quality of Chinese manufacture is very often superb.

The diminutive Harbeth HL-P3 has been one of this magazine's consistently recommended speakers since we first <A HREF="http://www.stereophile.com/standloudspeakers/1293harbeth/">reviewed it</A> in 1993. While some details have been improved over the years (and been reported on in the magazine), its design has remained consistent over the years: a diminutive two-way stand-mount intended to take the place of the classic <A HREF="http://www.stereophile.com/standloudspeakers/361/">BBC-designed LS3/5a</A> for location monitoring and for audiophiles with small rooms who value midrange purity and superbly stable, well-defined stereo imaging over bass extension and ultimate loudness capability.