It ain't the stuff you don't know that trips you up, it's the stuff you know that ain't so. When, at the 2007 CEDIA Expo, I encountered Klipsch's startlingly new Palladium P-39F loudspeaker ($20,000/pair), I was impressed by its looks. Tall (56"), as beautifully contoured as the prow of a canoe, and clad in striking zebra-stripe plywood, the P-39F is possibly the best-looking speaker Klipsch has ever made.

It ain't the stuff you don't know that trips you up, it's the stuff you know that ain't so. When, at the 2007 CEDIA Expo, I encountered Klipsch's startlingly new Palladium P-39F loudspeaker ($20,000/pair), I was impressed by its looks. Tall (56"), as beautifully contoured as the prow of a canoe, and clad in striking zebra-stripe plywood, the P-39F is possibly the best-looking speaker Klipsch has ever made.

It ain't the stuff you don't know that trips you up, it's the stuff you know that ain't so. When, at the 2007 CEDIA Expo, I encountered Klipsch's startlingly new Palladium P-39F loudspeaker ($20,000/pair), I was impressed by its looks. Tall (56"), as beautifully contoured as the prow of a canoe, and clad in striking zebra-stripe plywood, the P-39F is possibly the best-looking speaker Klipsch has ever made.

It ain't the stuff you don't know that trips you up, it's the stuff you know that ain't so. When, at the 2007 CEDIA Expo, I encountered Klipsch's startlingly new Palladium P-39F loudspeaker ($20,000/pair), I was impressed by its looks. Tall (56"), as beautifully contoured as the prow of a canoe, and clad in striking zebra-stripe plywood, the P-39F is possibly the best-looking speaker Klipsch has ever made.

It ain't the stuff you don't know that trips you up, it's the stuff you know that ain't so. When, at the 2007 CEDIA Expo, I encountered Klipsch's startlingly new Palladium P-39F loudspeaker ($20,000/pair), I was impressed by its looks. Tall (56"), as beautifully contoured as the prow of a canoe, and clad in striking zebra-stripe plywood, the P-39F is possibly the best-looking speaker Klipsch has ever made.

The drive home from Montreal and the Salon Son & Image show is smooth and uneventful. The snow kindly stops just as John Atkinson and I climb into his Land Cruiser, the woman at Customs lets us into the US with little fanfare, and, there isn't much to set the heart racing. Every fifty or so miles, the highway's long dividing guardrail is punctuated by some enormous brown bird—a once majestic body that owned the sky is now slung awkwardly and pitifully over cold steel. It's sad that something so beautiful and strong can die so quietly. But quiet abounds out here. The sky seems to move nearly as fast as we do, clouds cling to tall mountains, and winds tug at the Cruiser's tires.

<B>GARY BURTON/PAT METHENY/STEVE SWALLOW/ANTONIO S&#193;NCHEZ: <I>Quartet Live!</I></B><BR>
Gary Burton, vibraphone; Pat Metheny, guitar; Steve Swallow, electric bass; Antonio S&#225;nchez, drums<BR>
Concord Jazz CJA-31303-02 (CD). 2009. Gary Burton, Pat Metheny, prods.; David Oakes, eng. DDD. TT: 79:22<BR>
Performance ****&#189;<BR>
Sonics ****