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After reading Art Dudley's review of the Sony Playstation 1 from about a year ago, I bought one last fall on Ebay for a budget-busting $34.
I really like Art's writing in Stereophile, he's pretty consistently one of my favorite writers. Here are some of his comments from that review: "Above all, with every CD I tried, the PS1 exhibited a superior level of rhythmic acuity, or
Aloha,
Over time, we have run into comb filtering being offered again and again as the root 'confuser' of subjective listening reports.
Proponents of comb filtering cite the large differences in frequency emphasis or de-emphasis that can be seen over very small spatial positioning intervals. These differences are mentioned as the solution to almost all subjectively reported audible differences audiophiles hear between pieces of electronic gear, but I think this is not a fully appropriate answer.
I mentioned Ed Meitner (of Museatex) recently, as a pioneering audio engineer, who has in his own ways, helped to expand the state of the art with his unique vision. Looking at the patterns of his work, he is clearly a leader in high fidelity audio engineering, not a follower (he thinks "outside the box", to use a well worn phrase). But he is not the only one.
http://www.youtube.com/watch?v=wr0-9MHYTuQ
I am confused..watch the whole thing.