A Great NYC Concert Alert
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Fred Kaplan's current blog posting (here) has me thinking again about how valuable lossless codecs are, or could be.
Black Saint's and Soul Note's output is one of the great treasures of jazz, but most of it is hard to come by. How much better, how much safer it would be if the catalog were available as FLAC files.
I recently bought a Wadia 170i Ipod transport and then I began to look around for a DAC that would be compatible with the Wadia and not be too costly. Most of the used DACS that I found were WAY too expensive to dedicate to a $300 IPOD transport and I was afraid that I might just have to punt on using my Ipod with "the good stuff"
Plenty of albums have one or two great tracks, but once in a while, an album will be near-flawless from start to finish. Name an album that you think is perfect from beginning to end.
from another forum :
MYTEK DIGITAL ANNOUNCES NEW HI-END USB/FIREWIRE DAC
Mytek Digital of New York City, manufacturer of high end mastering audio converters announced at AES Convention in New York, in October 2009, a brand new Stereo 192 DAC, top performance 192k PCM and DSD Digital to Analog Converter. The new DAC features USB and Firewire, as well as standard AES, SPDIF and Toslink inputs, capable of handling stereo PCM playback of up to 24 bit 192k as well as playback of DSD files with absolute state of the art accuracy and transparency.
11/8 at Le Poisson Rouge, Grand Valley State Univ. Ensemble is performing Terry Riley's seminal "In C"; their CD of the recording is also coming out, with a 2nd CD that's a remix of "In C"
Why am I so keen on this undergrad group of contemporary music-playing fiends? Only because their recording of Steve Reich's sparsely lush and lugubrious "Music for 18 Musicians" was one of my favorite CDs a couple years ago (or was it last year? Early Alzheimers...)