When you’re old, you begin to read obits and relate to the ages of the dead. Like this from this morning: the great Teddy Pendergrass dead at 59 of colon cancer.

Pianist Fred Hersch plays at the Village Vanguard this week, joined by bassist Drew Gress and drummer Paul Motian. I was at last night’s early set, and it was one of the most bracing I’ve seen in a long while.

I know, center-channel speakers are the bailiwick of our sister magazine <I>Home Theater</I>. But as Wilson Audio Specialties' Peter McGrath told me when he explained the speaker's technology to me in the Utah company's suite at the Mirage, two Polarises work magically as a stereo pair. (Unfortunately, the speaker was only being shown, not demonstrated.)

I had gone into the Koetsu USA room at the Venetian to catch up on the latest developments to the Italian Blacknote DSS30 media server, which I hope to be reviewing later in the year. But I was very taken by the sound of the three-way Odeon Elektra loudspeakers ($19,100/pair), which, driven either by the DSS30,a Goldennote Stibbert CD player, or a Montegiro LP player, via a Goldennote 75Wpc, solid-state integrated amplifier, didn't sound <I>at all</I> like what I expect from horn speakers. Strings had a natural sheen, brass winds a natural "blattiness." Whether solo voice, classical orchestral, or solo piano (a high-rez Beethoven Sonata from 2L), the sound was uncolored, unstrained, and enjoyable.

I spent much of my time at CES roaming around with <I>Stereophile</I>'s self-proclaimed Web Monkey, Jon Iverson. I'd never met Jon before I came to the 2010 CES but he was a wonderful guide both to Las Vegas and to CES, as well as a smart and kind person to get to know. On Saturday morning he suggested we head on over the THE Show located at the Flamingo Hotel, right on the strip. One of the first rooms we happened upon was the Edge Electronics room. Jon said, "We've <I>got</I> to go in here."

Havng recently used Esoteric's four-box SACD playback system, with its dual-mono DACs and the ultra-high-precision Rubidium Clock unit, I checked out what the Japanese company was displaying in the rooms they were sharing with cable manufacturer Synergistic Research. My eye was caught by this beautifully styled one-box SACD player/DAC/100Wpc amplifier. The RZ-1 is scheduled to sell for $6000 and as well as using one of Esoteric's highly regarded SACD/CD transport mechanisms, it has both 192kHz-capable S/PDIF and 24/96-capable USB digital inputs and—significantly for the way the audio market is going—a phono preamplifier. The 32-bit D/A section uses an AKM AK4392 chip and offers both a conventional reconstruction filter, one that resembles Meridian's minimum-phase "apodizing" filter.

There were a few companies showing products on the 2nd floor of the Venetian, adjacent to the Sands Convention Center, where the Adult Show was being held. After John Atkinson and I grabbed a well-needed afternoon cup of coffee we checked out a few of the spaces on these lower floors. JA and I quickly found the Parasound/Atlantic Technology room&#151;a pairing of companies I would not have come up with myself. On silent display was the brand new JC3 phono preamplifier ($2000). Those who know about Parasound equipment will already know that the JC moniker for this phono stage indicates that it was designed by John Curl, an engineer that many audiophiles (and reviewers) speak of only in hushed tones. As you can see from JA's photo, the preamp is divided up into shielded sections within the chassis to keep the dirty signals dirty and the clean signals clean. Each channel's circuitry is encased in a metal sub-enclosure, that also shields the input and output jacks, and is supplied super-regulated DC from the power supply.

Some products at CES&#151;all-black products, with black highlights, and with the lettering tastefully done in black, in a darkened room&#151;defeat all but the most-determined photographers. So my thanks to Larry Greenhill for managing to photograph the new Class&#233; CTM600 600W monoblock amplifier ($6500 each).