Now Listening

A list of stuff I've been listening to lately, at home and at work:

James Blackshaw: The Glass Bead Game
John Fahey: Voice of the Turtle
Julianna Barwick (my new music crush): Florine
LA Vampires/Psychic Reality: 12" split
Noveller: Red Rainbows
Joanna Newsom: Have One On Me

TRs "5 star" recording master list...

So these are all the albums that have had a profound effect on me..combination of great sonics, killer songwriting..

I keep them separated from the rest on a special shelf my Dad and I built. Truly Desert island discs!

joshua judges ruth- lyle lovett

wilco- a ghost is born and YHF and Mermaid Ave VI

joe henry=blood from the stars

Pedro The Lion - Control

Iron And Wine - The Creek Drank The Cradle

Slowreader on Fueled by Ramen Records

Neutral Milk Hotel-in an airplane over the sea

Sheby Lynne's "Suit Yourself"

Mumbo-Jumbo?

I stumbled over this weird plugin. Sounds like pure idiocy to me. "...and the silence has a great vintage roundness to it that I haven't heard in a long time. Kudos for taking silence to the next level of quietness."

What a load of crap. If there's silence there's silence. You can't add more quietness to silence. This must be a pull-my-finger-plug-in.

http://www.sonicfinger.com/DeadQuietenator.html

DIY basstraps

I am experimenting with these DIY basstraps, one in each corner behind the speakers. They do have some kind of influence on the LF, but in what area, I have no clue. The deeper bass seems to wander less back and forth in my listening room though. It's more dry in a way, like the majority of the pressure waves are less noticeable. I have made them with both inner and outer membranes, in order to increase their effectiveness.

A Farewell To Verbal Arms!

I have decided to spend my free time devoting my energy toward my family and community. These forums seem to bring out the worst in everyone and very infrequently enlighten. The world is what we make of it, and I will try to make it a better place for my children and for all those souls that have yet to enter this world. They will inoccently expect freedom, personal rights of expression, thought and religion. They will wish to be able to pursue their dreams unhindered, and not to live under the oppressive atmosphere of an elitist "Nanny State".

McIntosh-Peachtree-Davone

McIntosh-Peachtree-Davone

Michael Lacomba of Southern Cinema, with stores in Cumming, GA and St. Augustine, FL, was having a great time demming several joyful systems that combined tried and true with fresh and new. Almost as fresh and new as Michael, who at age 26 laments, "People my age don't know this stuff exists." Not that Steve Davis and the small and dedicated Axpona crew didn't do everything possible publicity-wise to bring in a fair amount of curious collegiates, some of whom were actually heard to mutter, "I'm going to have to rethink my whole iPod thing after hearing this."

Just Right: Oracle and Phase Technology

Just Right: Oracle and Phase Technology

The room shared by Oracle and Phase Technology featured the eye-catching Oracle CD2500 CD player ($12,500), Oracle Delphi Mk.6 turntable with Oracle SME 5 tonearm and Thalia cartridge ($16,500 total), Oracle phono stage ($9950), and Oracle SI 1000 175Wpc integrated amp ($9950) powering the black Phase Technology PC-9.5 loudspeakers ($3500/pair). I was given very different figures in the room than are printed on the literature. Does this 4 ohms nominal impedance speaker have 91dB sensitivity, as the literature says, or 87dB, which is what the spex said? Is its frequency response 32Hz—22kHz, or 35Hz—20kHz ±2dB. And is its price what I was told? Such are the mysteries of life.

Acoustic Zen: Warmth and Beauty

Acoustic Zen: Warmth and Beauty

Twin•Audio•Video teamed up with Acoustic Zen to pair the large and imposing Acoustic Zen Crescendo loudspeaker ($16,000/pair) with Triode Corporation Ltd. of Japan's Tri TRV-4SE tube preamp ($1,900), the power module of the Tri TRV-845SE 20W pure class-A integrated amp ($6000), and Tri TRV-CD4SE tube CD player with 192kHz upsampling ($2200). The Crescendo is a 3-way, 125 lb transmission-line design with 6 ohms nominal impedance, 89dB sensitivity, and a frequency range of 20Hz to 30kHz. Also in the room on the floor were two ORB power traps (aka power conditioners/distributors), the Kyoto ($6000) and Kamakura ($3900), and, of course, Acoustic Zen cabling. This system did a fine job of capturing music's beauty and warmth. Which is saying a lot.

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