After John's short talk at THE Show (see below), the two of us decided to make the rounds together until I had to leave for the airport. But it wasn't that easy to just get up and go.
<I>Stereophile</I> editor John Atkinson served as the opening act for the Grand Giveaway on the final day of THE Show 2010. In his short talk, John reflected on the <A HREF="http://www.stereophile.com/asweseeit/a_bad_year/">losses of the past year</A>. He first honored two of his departed mentors, John Crabbe and J. Gordon Holt, both of whom were central to the development of high-end audio. He also honored the memory of Al Stiefel, who co-founded the Rocky Mountain Audio Fest with his wife, Marjorie Baumert.
The first night of CES saw a memorial reception held in honor of loudspeaker designer Jim Thiel, who passed away last September. A succession of high-end audio's greatest offered thoughts and reflections on a talented, well-respected, and universally liked man whom everyone agreed was taken from us too soon. Shown in my photo is erstwhile Stereophile publisher Larry Archibald, whose comments were deeply felt and moving. I paid my own tribute to Jim in my November 2009 "As We See It" essay, which I reprised in my closing day's speech at THE Show, discussed above by Jason Serinus..
I have come to expect innovative engineering from Rockport's Andy Payor, and was not disappointed by his new Alya loudspeaker. The two-way Alya costs $29,500/pair and marries Scanspeak's new beryllium-dome tweeter with a custom Audio-Technology woofer with a 6.5" carbon-fiber cone and a 2" voice-coil. The front baffle is aluminum and internal horizontal rods connect it to the rear of the cabinet, holding the HDF enclosure in a rigid grip. A rear port is tuned to a respectable 35Hz.
The Rockport Alya's 1.25"-thick front baffle is cast from aluminum, then machined to accommodate the drive-units. The tweeter's usual front-plate is discarded and replaced by the baffle, which has the necessary opening and locating pins. This gives a very clean acoustic environment for the dome. Andy Payor's hand is shown here locking the tweeter into place with a ring that screws into a thread tapped into the rear of the baffle.
Ensemble has taken the position that with all the formats flying around, the biggest library of decent-sounding music remains the CD, so they might as well perfect it. Their Dirondo Player and Drive is a straightforward top-loading CD-only machine based on a Philips pro mechanism that allows the user to select the upsampling rate up to 24 bit/192kHz. Price is $12,000 and the Dirondo is available now.
San-Diego-based PBN is best-known for its heroically proportioned loudspeakers, but PBN's Peter Noerbaek introduced his new Sammy loudspeaker at THE Show, which, as you can see from the photo, is a little more manageable in size. The 55"-tall Sammy uses premium Scanspeak drive-units in an unusually constructed cabinet (see next photo): a new, long-travel 10” Revelator woofer, a wide-range, 4” Illuminator midrange unit, and the Danish company's new pressure-formed beryllium-dome tweeter. Price will be $29,500/pair.
this is the video version of Ethan Winer's AES presentation.
Geared more towards the recording engineer, but some here may find it interesting. I know I did.
http://www.youtube.com/watch?v=BYTlN6wjcvQ