Seta Model L phono preamplifier Specifications

Seta Model L phono preamplifier Specifications

The minuscule electrical output of an analog signal from a moving-coil cartridge needs to be boosted before it can be converted to digital and equalized in the digital domain. Of course, you could use your current phono preamplifier and record an equalized signal to hard disk, but then you wouldn't get to experience Pure Vinyl's digital RIAA correction—nor would you be able to avail yourself of all the equalization curves provide by Pure Vinyl, of which there are almost too many to count.
Channel D
Trenton, NJ.
(609) 393-3600
www.channld.com

Seta Model L phono preamplifier

Seta Model L phono preamplifier

The minuscule electrical output of an analog signal from a moving-coil cartridge needs to be boosted before it can be converted to digital and equalized in the digital domain. Of course, you could use your current phono preamplifier and record an equalized signal to hard disk, but then you wouldn't get to experience Pure Vinyl's digital RIAA correction&#151;nor would you be able to avail yourself of all the equalization curves provide by <A HREF="http://www.stereophile.com/computeraudio/pure_vinyl_lp_recording_amp_ed… Vinyl</A>, of which there are almost too many to count.

Jazz on the Tube

Jazz on the Tube

For just a few days now I’ve been receiving mysterious e-mails from “Jazz on the Tube.” At first I wondered if they were spam, and I was afraid to click on the links inside. But they all seemed harmless enough: A few kind and thoughtful words, a passion for jazz, a hand held out in friendship, a smile. So I clicked the link and was taken to a simple page with a narrow, white field against a black border and a YouTube video at the center.

Incredible Stash of 30s Jazz broadcasts to finally be heard.

http://www.nytimes.com/2010/08/17/arts/music/17jazz.html?ref=music

By Larry Rohter

For decades jazz cognoscenti have talked reverently of the Savory
Collection. Recorded from radio broadcasts in the late 1930s by an
audio engineer named William Savory, it was known to include extended
live performances by some of the most honored names in jazz but only
a handful of people had ever heard even the smallest fraction of that
music, adding to its mystique.

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