Naim Classic 200 Series NAP 250 power amplifier The Odd One Out? (Cables and Connections)

Naim Classic 200 Series NAP 250 power amplifier The Odd One Out? (Cables and Connections)

Naim Audio Ltd.
Southampton Rd.
Salisbury, SP1 3LN
England
info@focal-naim.com
(866) 271-5689
www.focal-naim.com

Naim Classic 200 Series NAP 250 power amplifier

Naim Classic 200 Series NAP 250 power amplifier

For this modular audio component set—a review of the matching NSC 222 streamer preamp with a matching NPX 300 power supply is forthcoming—we first cover the standalone NAP 250 100Wpc stereo power amplifier, a new version of Naim's 200-series amplifier, now so extensively revised that it must be regarded as a new model.

Naim Audio's enduring, compact 200-series stereo power amplifier has been relaunched as the NAP 250, a key component of their new 200 Series. It has been updated massively in its technology and the compatibility of its connections, yet the primary circuit concept, which dates to the mid-1970s, is essentially unchanged. Recent development work has focused on helping the amplifier match up well with the new NSC 222 streamer-preamp, the NAP 250's intended companion. The new 200-series power amplifier is now called, simply, NAP 250, dropping the "DR" of the previous model. But while the suffix is now omitted, the ultralow-noise DR technology has been retained in the active, fully regulated power supplies; indeed, it has been improved.

Recording of November 2023: Wynton Marsalis Plays Louis Armstrong's Hot Fives Hot Sevens

Recording of November 2023: Wynton Marsalis Plays Louis Armstrong's Hot Fives Hot Sevens

Wynton Marsalis: Wynton Marsalis Plays Louis Armstrong's Hot Fives Hot Sevens
Wynton Marsalis, trumpet; eight band members
Blue Engine Records (auditioned as 24/48 FLAC). 2023. Marsalis, exec. prod.; Saundra Palmer-Grassi, Todd Whitelock, engs.
Performance *****
Sonics ****

Recorded in 2006 but not released until now, Wynton Marsalis Plays Louis Armstrong's Hot Fives Hot Sevens was recorded live at the Rose Theater, the largest of three performance rooms at the Jazz at Lincoln Center facility. House label Blue Engine Records has now released this concert for streaming.

Shaken, Not Stirred—and Welcome Back, Martin Colloms

Shaken, Not Stirred—and Welcome Back, Martin Colloms

Martin Colloms, pictured on HiFiCritic magazine's website.

A few months ago, the hi-fi world learned that Audio Research, perhaps the most storied hi-fi brand in US history (McIntosh would be the other choice), had a new owner. The company had overextended itself, then filed for "Assignment for the Benefit of Creditors"—somewhat like Chapter 11 bankruptcy but different. The company was then acquired by a group led by a Canadian, Valerio Cora of Acora Acoustics. In the September issue's Industry Update, I wrote, "Audio Research, that great American hi-fi company, is now Canadian."

Not long after the issue came out, I received a note from Dave Gordon of Audio Research Corporation. With typical good humor, Dave suggested that my characterization was not correct—that ARC is not in fact Canadian. Why? Because Audio Research's parent company is based in ... Delaware?

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