Saturday, May 14, 12–6pm: Goodwin’s High End (899 Main Street, Waltham, MA) will host the public world premiere of the Magico Q3 loudspeaker, sibling to the Q5, which was recently reviewed by Michael Fremer. During the evening, Magico’s Alon Wolf will provide a demonstration and discussion of the Q3. For more info and to RSVP, call (781) 893-9000.

Photo by Zoran Orlic

The Kronos Quartet has won this year's Avery Fisher Prize for chamber music, and the significance is stunning. With one fell (though belated) swoop, the boundaries of the conventional canon are broadened, if not obliterated. The Fisher Prize, set up in 1975 and awarded every three years since, is a conservative enterprise. Somewhat like the American Academy in the field of literature, it was designed to enshrine those who have ascended to the peaks through the established, long-trod paths. Past winners have included . . .

Sunday, May 1, marked John Atkinson’s 25th anniversary as editor of Stereophile&#151an outstanding and admirable accomplishment, and one increasingly rare in this fast-paced, ever-changing modern world.

John celebrated in typical fashion: He didn’t mention the achievement to anyone, but kept his head down, eyes buried in a great pile of ink-stained proofs, as we raced to ship our July 2011 issue to pre-press. Such effort and diligence should come as no surprise: It was John who transformed Stereophile, once a rough and rogue ’zine abiding by no particular publishing schedule, into the professional, dependable, influential magazine it is today.

I can’t imagine anyone working as hard or as purposefully as my boss, John Atkinson. Each day is an honor. The man sets a high and excellent example: I want to be just like him.

Congratulations, John! Enjoy that beer tonight. Or, uh, that tutti-frutti martini thing, whichever you prefer. After 25 years of service, I guess you’re allowed to drink whatever you want.

This story originally appeared at InnerFidelity.com

Evolution is not like a car wash; it's not some process with a beginning, a middle, and an end. It's messy; it makes mistakes; sometimes it moves in a particular direction; sometimes it just goes in circles refining things. Evolution doesn't really know where it's going until it gets there.

Since 1997 Shure has been evolving its line of in-ear headphones. It seems to me they've both run in circles on the ergonomics, and made a bee-line for good sound. Let me explain.

The name Muse Electronics is probably unfamiliar to most audiophiles, requiring some background on the company. Muse is the hi-fi offshoot of a company called Sound Code Systems, a manufacturer of professional sound-reinforcement speaker cabinets and power amplifiers. Founded in 1980, SCS enjoyed some success with its line of MOSFET professional power amplifiers. In 1988, SCS's Michael Goddard and Kevin Halverson, both audiophiles and tube aficionados, redesigned their amplifier for the high-end hi-fi market.

The results are the Model One Hundred (a 100Wpc stereo power amplifier) and the Model One Hundred Fifty ($1900/pair), the 125W monoblock reviewed here. According to Michael Goddard, the primary design goal was to achieve a tube sound with the reliability and ruggedness of transistors. MartinLogan CLS speakers were used extensively during the design/listen/design cycle. As a result of their listening auditions and redesign, many of the changes have now been incorporated into their professional products.