I swear: Music Hall’s Roy Hall was cracking jokes and smiling wide just moments before I snapped this shot.
“Are you enjoying the show?” he had asked.
“Very much. This show has a certain grace and a natural sex appeal that shows in the States seem to lack,” I said.
Roy nodded. “Ah, you get it. So you’re not just a pretty face.”
Then he walked me over to his new MMF-11 turntable (around $4500, including Pro-Ject 10cc carbon-fiber tonearm). First seen in prototype form at January’s Consumer Electronics Show, the 43-lb MMF-11 is a two-motor, flywheel-driven turntable with a thick, acrylic platter, a four-layer plinth, and magnetic feet to further isolate the turntable from vibrations.
HiFiMAN HE-5, HE-5LE, HE-6, and HE500 Planar Magnetic Headphones
May 22, 2011
This story originally appeared at InnerFidelity.com
Just a year and a half ago I walked into the CanJam area of RMAF, and right smack-dab in the middle was Fang Bian, head of Head Direct and the HiFiMAN brand of headphone gadgetry. Fang always has something new going on; I wondered what it would be this time. He smiled, stood, and cheerfully greeted me, then pointed towards center-stage on one of his tables.
"Would you like to hear my new planar magnetic headphones?"
Shut Up and Dance, on the French label Bee Jazz, should catapult John Hollenbeck into the pantheon of living big-band composers, along with Maria Schneider, Bob Brookmeyer, Jim McNeely, and (if his debut works are matched by what's to come) Darcy James Argue, among perhaps a very few others. I've praised some of Hollenbeck's earlier albums in this space, especially his Large Ensemble's Eternal Interludes and his Claudia Quintet's Royal Toast, but I have to say I admired them more than I liked them. His arrangements were . . .
Andy Regan (left) and George Cardas are excited about the current state of hi-fi and music. They strongly believe that the asynchronous technologies found in today’s digital-to-analog converters can erase any negative effects the Compact Disc has had on music and on our enjoyment of music. It’s possible to achieve improved sound quality and enjoy a better overall listening experience by removing the disc from the equation, playing high-quality music files stored on a hard drive.
Unfortunately, Jeff Joseph’s shipment of gear was delayed due to a short FedEx strike which occurred in Paris. Joseph was understandably tired and frustrated, but he hadn’t lost his great sense of humor.
“I can still play the speakers,” he said with a straight face.
I thought for a moment that he would employ some powerful new wireless technology; Joseph was an early proponent for computer-based audio.
“Oh yeah?”
“Yeah. What would you like to hear?”
He covered his face with the press release for his lovely Pulsar ($7000/pair) and began to sing.
I can’t remember what song we listened to, but it really was like hearing live music. There was almost nothing separating us from the song.
These two kitty-clad women have been following me all over the show. They’re here to promote Cambridge Audio’s new Minx series of mini-speakers, made to match a small, stylish design with true high-quality sound.
Genius.
“You two are so hot, you should be illegal,” I told them.
They laughed.
“What did you just say to them?” Rosemarie asked.
“I told them they were so hot they should be illegal.”
The controls on these sleek Audiolab 8200 Series components were pure pleasure; I could have played with them all day long. The 8200CD CD player uses the Sabre 32-bit DAC from ESS Technology—hot. The 8200Q preamp’s six line-level inputs respond to remote control, but you’ll want to caress this thing; the volume knob is a motorized potentiometer for precise tracking, while a separate gain control enables sensitivity to be matched to different power amps and source components. Finally, the clean, simple 8200P power amp provides 100Wpc into 8 ohms.
Castle Acoustics is a brand we don’t talk too much about in the States. This is the Richmond Anniversary, its mirror-matched pairs beautifully veneered in luscious Lacewood.