Here we see AudioStream’s Michael Lavorgna in serious listening mode. (We can’t seem to keep him away from vinyl.) The album is Edward Ka-Spel’s O Darkness! O Darkness!

1. This show is massive. I think John Atkinson and I are feeling a bit overwhelmed by the number of exhibitors. I’m not sure that we’ll be able to see and hear everything that is on display. A strategy: John will start in the Tower and I will start in the Atrium, and tomorrow, we’ll compare notes and examine what we have and have not achieved. Meanwhile, Michael Lavorgna will cover computer audio for AudioStream, and Tyll Hertsens will cover headphone gear for InnerFidelity.

In 2010, sales of motorcycles equipped with sidecars accounted for only 4% of total motorcycle sales in the US. But that was a significant increase over 2009, which was itself an increase over 2008. While numbers remain low overall, sales of sidecar motorcycles are going up at a decent rate, while sales of most other motorcycles are in the toilet.

Trends in turntable design shift back and forth over time, each "advance" turning out to be a mostly sideways move. Over its long history, VPI's founder and designer, Harry Weisfeld, has moved the analog goalposts back and forth as he's refined his thinking. His early turntables were mostly standard spring-suspension designs of normal size. By the time Weisfeld produced his fully tricked-out TNT model, which was originally designed to stably hold the heavy moving mass of Eminent Technology's ET2 air-bearing arm, he'd moved to a massive, oversized, sandwiched plinth with isolating feet at the corners. He first used springs and, later, air bladders originally designed to cushion a tractor-trailer's load, and which he'd found in a trucker's supply catalog. Via an O-ring, the TNT's outboard motor drove one of three pulleys that protruded from holes in the plinth, and attached to a T-shaped subchassis that, in turn, drove the other two pulleys via two additional O-rings.

In our December issue, I review Emotiva’s ERC-2 CD player and use Mark Hollis’s eponymous solo album as a reference. It’s a gorgeous disc, both sonically and musically&#151full of emotion, power, urgency, and lifelike detail. It was only earlier this year that I discovered Mark Hollis and his band, Talk Talk, through the kindness of Steve Cohen, salesman at In Living Stereo and friend of Other Music.

I had just met Steve.

For the past few months, my system has been in a serious playback rut. The disc tray on my Oppo DV-980H does not pop out, and my Rega P1 is in unmistakably poor shape: the tonearm cable to connect the tonearm to the cartridge ripped off from the tonearm, one of the tonearm pins ripped off the tonearm cable and is firmly pinned onto the cartridge I never installed (an Audio Technica AT95E), and the needle on my old Ortofon cartridge is bent backwards, which is the reason why I needed to change my cartridge to begin with. I promise, I have reasons for all of this. Not good reasons. Thus, most of my music listening for the past seven months, has been done at work in my cubicle via different digital music streaming services, in the hopes of finding a service that would be fun and functional.