Esoteric displayed the new K-05 SACD/CD player scheduled for release sometime in 2012 at a retail price of approximately $9,900. It will be a dual-mono design and feature 32-bit AKM4399 DACs, 24/192 digital inputs including asynch USB. CDs are upsampled to 24/176.

What we have here is the Vincent C-35 Hybrid HDCD CD Player. It features a 100% vacuum tube output stage (two 12AX7 tubes and one 6N10), dedicated headphone amp with volume control and SPDIF digital output. Priced at $1,999.99.

A combination digital preamp, streamer and DAC, Cambridge Audio's Stream Magic 6 also has twin Wolfson WM8740 DACs that upsample to 24/384 and a 24/192 USB input. All for $1,149 and available sometime this month.

For those just needing a DAC, the 100 has Wolfson WM8742 DAC chips, three digital inputs including 24/192 USB and a retail price of $399. Should be available in March.

And then there is a new update on the original DacMagic. The price is $599 and the USB input allows 24/192 and the Plus features the same Wolfson DACs at the Stream Magic 6. Available now.

France manufacturer Micromega's $4,995 "WHiFi" player is AirPlay compatible, meaning it can wirelessly stream from any Apple device.

Audioquest is known to the general public as a cable manufacturer and also to audiophiles for their phono cartridges. They will soon jump into the DAC market starting with the Dragonfly USB to miniplug DAC.

Steve Silberman was on hand to provide a demo of the new product in raw circuit board form, and I was able to grab an artist rendering of the finished product from his laptop as seen above. The light on the back of the dragonfly changes color depending on what sampling rate is being detected.

The asynch 24/96 USB DAC will be about the size of a finger and its electronics have been designed by Gordon Rankin. Price is estimated at around $300 and it should be available in April.

Audio-Lineare hails from France, and although I haven't heard of the company before, they've been making speakers since 2001. The designer is Yves Poulichot, who has been devoted to this endeavour for 25 years. The Harmonie 16 ($6500/pair) on display uses an aluminum ribbon tweeter and two bass/midrange drivers in a "2.5-way" configuration. Nice sound with Viola electronics. The charming representatives are Alix Ribeault (Marketing Director, left) and Christelle Kabeya (International Sales Assistant, right).

I had planned to attend the press conferences by Panasonic, Samsung, and Sharp, all scheduled for Press Day, but it seems that every single person with a Press badge had exactly the same idea, and the resulting crowds were at least as big as at the CES Unveiled event. In fact, about an hour before the scheduled Samsung press conference, CES staff announced that the number of people in the line-up exceeded the capacity of the hall, and not everyone could be admitted. I gave up on both Samsung and Panasonic, but was Sharp was different. They had sent emails to a selected group of journalists, including yours truly, designating them as VIPs, and special tickets to be printed out, which would allow these individuals entry to the press conference before everyone else. Even if I had not been all that interested in whatever Sharp was going to announce, being called a VIP meant that I just had to attend. And, as I walked in, who do I see but my colleagues, Kal Rubinson (left) and Tom Norton (right)? We had our choice of seats, up front. It's good to be a VIP!

Pass Labs’ engineer Wayne Colburn insisted that the name of their latest amplifier, the Xs, was not a pun. He spent over an hour detailing the 3-year design project that culminated in the company's $85,000/pair, solid-state, two-chassis-per-channel, class-A amplifier. Leaning on the 4.5-foot stack of the amplifier's stereo configuration, Wayne spoke about how the design was based on the results of an examination of transfer characteristics of a diverse set of gain devices, including tubes and SITs (silicon-carbide devices that are exclusive, we believe, to Pass Labs for use in audio). The output stage was designed to reproduce the transfer characteristics preferred by a panel of listeners, who lived with a variety of different output stages for a lengthy period of time.