Each year when I sit down to write this introduction, I get stuck on the whole dying-for-music thing. I get visions of the Lincoln assassination conspirators, swinging from ropes with sacks over their heads. Like '80s hair bands do ya? Pull the trap door! Or Mary Queen of Scots kneeling before the block: A fan of smooth jazz? Let the blade fall! Yes, it's silly on some level, but what exactly is the feeling that would make one martyr oneself for music?

Register to win a pair of Van den Hul The Valley Interconnect Cables (MSRP $395) we are giving away.

These cables are distributed in North America by Bluebird Music and according to Van den Hul, The Valley interconnect cables are a twisted pair balanced cable with two 21 strand conductors and a double braided shield.

All you have to do to enter is leave a comment on this post. Click on the picture above for details on how to enter.

[This sweepstakes is now closed.]

As one of the Top Five KEF dealers in the United States, AudioVision San Francisco was chosen as the site for the country's first in-store demo of KEF's Blade ($30,000/pair) on January 19. Given that the Blade's previous three quasi-public demos were either at shows—CEDIA 2011, where the environment was reportedly too noisy for anyone to get a good listen, and RMAF 2011, where the room was too small—or KEF's 50th Anniversary Party in the British Embassy in New York City, this was actually the first time that anyone on the West Coast, or any bloke who happened to wander in off the street, had a chance to hear KEF's long-awaited speaker in more supportive surroundings.

Doing the honors for KEF was April Sanders, the company's Western Regional Manager (top photo). Sanders' 30 years experience in the speaker industry makes her one of the longest-surviving women in the high-end—a feat that, IMHO, deserves at the least a medal of honor and epaulettes covered with brass stars and other emblems of bravery on the front lines.

Chick Corea's Further Explorations (Concord), with Eddie Gomez on bass and Paul Motian on drums, is my favorite jazz album of the year so far. I've played it maybe 20 times since I got an advance copy a few months ago.

It's a two-disc set, taken from two weeks of sessions at the Blue Note in Greenwich Village (one of which I raved over in this space at the time, back in May 2010). The gig was hawked as a Bill Evans tribute (the title is a spin on Evans' 1959 album Explorations), but that told only the half of it. . .

The Threshold FET nine/e ($2595) is the junior sibling of the FET ten/e, a solid-state preamp that has earned a rave review in March 1991 from noted tubeophile Dick Olsher (Vol.14 No.3), itself a development of the FET ten that J. Gordon Holt reviewed in September 1987 (Vol.10 No.6). Would my ears, accustomed as they are to the pitter-patter of electrons traveling through a vacuum, have a similarly positive response to the FET nine/e?